Loyal till Death: Indians and the North-West Rebellion
Images » Photographs
Description
Photograph. Caption: One of the fugitive Indians (possibly Four Sky Thunder) who surrendered at Battleford instead of fleeing to the United States.
From the book Loyal till Death: Indians and the North-West Rebellion by Blair Stonechild and Bill Waiser.
A photograph of the government's surveyors corps of scouts during the 1885 uprising, probably taken at Qu'Appelle prior to Middleton's march north. The men appear to be armed with lever action repeating rifles and pistols.
Image of Captain John French, killed at Batoche. On back of photo: "An old French halfbreed, named Ross, was standing at the corner of a house nearly opposite Batoche's house, and fired the fatal shot, then made a run for cover, but paid the penalty for shooting French just before reading it."
Seachange, The Face-to-Face, Spring, 2010, pp. 51-80
Description
Looks at the history of Native Net, a nation-wide computer based multimedia communication network, and the development of CyberPowWow, an online gallery and chat room produced by the Aboriginal collective Nation to Nation.
Inuit Art Quarterly, vol. 7, no. 2, Spring, 1992, pp. 38-42
Description
Review essay of art exhibition held at the McMichael Canadian Art Collection, Kleinburg, Ontario, December 15, 1991 to March 29, 1992 featuring 100,00 drawings and prints from West Baffin Cooperative.
Entire issue on one pdf. To access article, scroll to page 38.
Art Journal, vol. 51, no. 3, Recent Native American Art, Fall, 1992, pp. 66-73
Description
Author comments on the exhibition mounted by the Canadian Museum of Civilization in 1992 and issues concerning the Aboriginal artistic community in general, such as being the subject or object, rather than the observer.
Group photo taken on the grounds of Fort Pitt, NWT. Numbered from L to R: 1. Fire Sky Thunder; 2. Sky Bird (Big Bear's son); 3. Natoose; 4. Napasis; 5. Big Bear; 6. Angus McKay (HBC); 7. Dufrain (HBC cook); 8. L. Goulet; 9. Stanley Simpson (HBC); 10. Alex McDonald; 11. Rowley; 12. Corp. Sleigh (NWMP); 13. Edmond; 14. Henry Dufrain.
[Kaahsinnooniksi Ao'toksisawooyawa: Our Ancestors Have Come to Visit: Reconnections with Historic Blackfoot Shirts]
Documents & Presentations
Author/Creator
Deborah Magee Sherer
Description
Lesson plan developed in conjunction with exhibition of Blackfoot shirts loaned from the Pitt Rivers Museum, University of Oxford, to the Glenbow and Galt Museums in Alberta.
Suitable for ages 12 and up.
Inuit Art Quarterly, vol. 25, no. 1-2, Spring/Summer, 2010, pp. 4-11
Description
Discusses artists' responses to the impact of residential schools and cultural assimilation.
Entire issue on one pdf. To access article, scroll to p. 4.
Photograph. Caption: "Judge Hugh Richardson (right) shaking hands with Peter Hourie, the court interpreter for the Indian trials."
From the book Loyal till Death: Indians and the North-West Rebellion by Blair Stonechild and Bill Waiser.
The Indian trials took place in Regina, North West Territories, after the trial of Louis Riel.
Inuit Art Quarterly, vol. 25, no. 4, Winter, 2010, pp. 28-30
Description
Discusses exhibition of the same name mounted at the Museum of Inuit Art, February 15 to June 30, 2010.
Entire issue on one pdf. To access article scroll to p. 28.
Inuit Art Quarterly, vol. 25, no. 4, Winter, 2010, pp. 31-33
Description
Brief discussion of exhibition of the same name mounted at the Winnipeg Art Gallery, August 20 to December 5, 2010.
Entire issue on one pdf. To access article scroll to p. 31.
American Indian Quarterly, vol. 34, no. 3, Summer, 2010, pp. 392-394
Description
Book review of: The Land Has Memory: Indigenous Knowledge, Native Landscapes, and the National Museum of the American Indian edited by Duane Blue Spruce and Tanya Thrasher.
Art Journal, vol. 51, no. 3, Recent Native American Art, Autumn, 1992, pp. 83-85
Description
Review of the Leonora Carrington: The Mexican Years, 1943-1985 exhibit organized by Holly Barnet-Sanchez, essay by Whitney Chadwick, interview by Paul de Angelis, chronology by Salomon Grimberg. The Exhibition was in the Mexico Museum of San Francisco, December 11, 1991 to March 8, 1992.