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[Anishinabee Colouring Sheets]
Six pages are images from Sacred Feminine and IKWE colouring books.
Annie Pootoogook: Life & Work
Archival Photographs in Perspective: Indian Residential School Images of Health
Art, Activism and the Creation of Awareness of Missing and Murdered Indigenous Women and Girls (MMIWG); Walking with Our Sisters, Redress Project
Balancing History
Created to be used with the article Warp, Weft, Weave: Joining Generations published in vol. 53, Issue, 3, 2020 of British Columbia History magazine. Designed for students in Grades 8 to 12.
Barry Pottle's Photography Explores Inuit Objectification by ID Tags
Basketmaking Guides and the Appropriation of Indigenous Basketry
Beads: Symbols of Indigenous Cultural Resilience and Value
Between Lines and Beyond Boundaries: Alootook Ipellie's Entanglements of Space
Examines the work of activist Alootook Ipellie to show how it reflects Inuit perspectives on housing, animals and land.
Beyond a Number: Inuit Photo Exhibit Brings Controversial 'Eskimo' I.D. System to Light
"But They Were Never Only the Master's Tools": The Use of Photography in De-colonial Praxis
Commemorating John A. Macdonald: Collective Remembering and the Structure of Settler Colonialism in British Columbia
The Concept of Duality in Culture and Myths of Lakota Indians
Cracking the Glass Ceiling: Contemporary Inuit Drawing
Cross-Curricular Connect: The Last of the Buffalo
Resource uses the painting by Albert Bierstadt to teach close reading skills, allegory and the importance of wildlife conservation. Includes links to interactive puzzle, team-building game, sorting activity, game-based art survey and inquiry study.
Crow Style Bridle Ornament
Cultural imPRINT: A History of Northwest Coast Native and First Nations Prints
Culture Inspires Art: Featuring First Nations, Métis, and Inuit Artists
Daphne Odjig: Indigenous Art and Contemporary Curatorial Practices
Deaconess Winifred Hilliard and the Cultural Brokerage of the Ernabella Craft Room
Developing Indigenous Visual Arts Transnationally and Across Genres
Disposable Red Woman: Guerrilla Art
Drawing Identities: An Ethnography of Indigenous Comic Book Creators
Early 19th Century Men's Southeast Moccasins in the Creek Style
Edgar Heap of Birds
The Essay: Decolonizing History Painting
Excerpt from Revision and Resistance: mistikôsiwak (Wooden Boat People) at The Metropolitan Museum of Art discusses the diptych created by Kent Monkman.
Exhibits of Truth and Reconciliation: Creating Empathetic Spaces for Indigenous Narratives in Canada
Exploring the Relocation Experiences of Female Indigenous Youth in Foster Care through Storywork
Framing Representation: An Ethnographic Exploration of Visual Sovereignty and Contemporary Native American Art
Framing the Past
"Free Your Mind," from the Series Crazymaking (2007)
From the Caribbean to the South Pacific: Cultural Hybridity, Resistance, and Historical Difference
Gambling on Authenticity: Gaming, the Noble Savage, and the Not-So-New Indian
Geology of National Parks, 3D and Photographic Tours: American Indians of the Southwest, 1871-1875
George Catlin and His Indian Gallery – Classroom Activities
Glimpsing Our Past: An Archival Photo Project
Graphic Indigeneity : Comics in the Americas and Australasia
The Great Shimmering
Healing through the Photographic Murals of James "Chip" "Jetsonorama" Thomas
How Raven Steals the Sun: Retold and Drawn by Quentin Harris
Salish artist retells the traditional story while drawing step-by-step visual interpretation.
Duration: 1:30:23.
Iljuwas Bill Reid: Life & Work
In/consequential Relationships: Refusing Colonial Ethics of Engagement in Yuxweluptun’s Inherent Rights, Vision Rights
In Our Own Words: Bringing Authentic First Peoples Content to the K-3 Classroom
In the Balance: Indigeneity, Performance, Globalization
The Inconvenient Indian
Documentary inspired by the non-fiction book of the same name by Thomas King explores historical attitudes and efforts to colonize Indigenous peoples and contemporary expressions of resistance.
Duration: 1h, 29 min.