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Aboriginal Children's Hurt & Healing (ACHH) Initiative: First Nation Community Health Video
Aesthetics of Indigenous Affinity: Traveling from Chiapas to Palestine in the Murals of Gustavo Chávez Pavón
Alex Janvier
Andean Success Stories and Representations of Nature in Andean Textiles
Arctic Spirit: Inuit Art from the Albrecht Collection at the Heard Museum
Art This Way: Decolonizing Art with Arthur Renwick
Arts Project Tackles Regina's Notorious North End Social Problems
Baker Lake Prints: 2008 Collection
The Basketmaker
Beads, they're sewn so tight: Resource Guide
Developed in conjunction with an exhibition featuring works by Bev Koski, Katie Longboat, Jean Marhsall, and Olivia Whetung.
Beadwork Storytellers: A Visual Language
Beyond Lip Service: An Analysis of Labrets and Their Social Context on the Pacific Northwest Coast of British Columbia
Bibliography for S'abadeb-- The Gifts: Pacific Coast Salish Art and Artists
The Birch Bark Eater and the Crisis of Ethical Knowledge in Storytelling
Book Reviews
Border Crossings: The Cultural Brokerage and Artistic Practice of David Ruben Piqtoukun
Brain Tan Buffalo Robes Skins and Pelts: Making Beautiful Leather the Natural Way
Can Arts-Researchers Go Where Artists Go? Questions of Interpretation and Practice as Played Out In, and Through the Work of the Canadian Artist, Rebecca Belmore
Cape Dorset Annual Print Collection 2007: Official Openings October 19, 2007 at Various Galleries in Canada, the United States and Europe
Caroline John Master Craft Person Still Going Strong at 88
The Changing Symbolism of Flags in Plains Indian Cultures
Chocolate Woman Visions an Organic Dramaturgy: Blocking-Notation for the Indigenous Soul
Circulating Regalia and Lakhˇóta Survivance, c. 1900
Looks at the history of two examples of regalia that traveled to France; one with a performer in Buffalo Bill's Wild West show in 1889 and the other worn by a performer at the Jardin d'Acclimation (a human zoo) in Paris in 1911.
Circumstances Alter Photographs: Captain James Peters and the War of 1885
Coast Salish Weaving: Preserving Traditional Knowledge with New Technology
Collective Memory in Transition: Macdonald, Cornwallis and Statue Removal in Canada
Art History Thesis (M.A) -- Queen's University, 2019.
Comic Art
Comments on Kenojuak's Career and the Future of Inuit Art
Commercialization and Marketing of Women’s Indigenous Knowledge Products: A Case Study of Maasai Body Ornamental Products in Arusha, Tanzania
Communities of Access: Examining Emerging Geographies of Inuit Art in Canada Through the Lens of the Winnipeg Art Gallery’s Inuit Art Centre and Kenojuak Cultural Centre and Print Shop
Cowboys and Indians: The American West in German Art of the Twentieth Century
Crafts, Boys, Ernest Thompson Seton, and the Woodcraft Movement
Creating Collaborative Visions with Aboriginal Women: A Photovoice Project
Cross-Border Trading: Mungo Martin Carves for the World of Tomorrow
Cross-Curricular Connect: Indian Gallery
Cross-Curricular Connect: Indian Gallery
The Crow-Plateau Style Otterskin Bow Case-quiver
The Dawn of Translation
Decolonizing Nunavut's Art Market
Art History Thesis (PhD) - York University, 2019.
Decolonizing the Medium: How Indigenous Creators are Defying "Sidekickery” and Centering Indigenous Stories and Characters in the Comics Landscape
Doing Cross-Cultural Research: Ethical and Methodological Perspectives
Double Take: Tourism & Photography Endeavors among the Northern Pueblos of the Rio Grande
The Drawings and Paintings of Daphne Odjig: A Retrospective
Dugout Canoe Photographs
E.-A.: Freestyle Looming and Probability: Grade 12 Foundations of Math
Teacher-created lesson plan developed in conjunction with the McDowell Foundation project Culture-Based School Mathematics for Reconciliation and Professional Development.
E-D.2: Quadrilateral Patterning through Indigenous Beading: Grade 5
Teacher-created lesson plan developed in conjunction with the McDowell Foundation project Culture-Based School Mathematics for Reconciliation and Professional Development.