American Indian Culture and Research Journal, vol. 20, no. 3, Special Issue on The Shadow Catcher: The Uses of Native American Photography, 1996, pp. 15-32
Description
Argues that the founder of California Indian Studies was also an important ethnographic photographer.
Website links to natural resources, history and culture, social equity, environmental justice and GIS mapping. Includes case studies comparing the environmental, social and cultural impact of natural resource development.
Inuit Art Quarterly, vol. 14, no. 1, Spring, 1999, pp. 42-44
Description
Exhibition review mounted at the Carleton University Art Gallery, Ottawa, Ontario, September 12 to December 5, 1998.
Entire issue on one pdf. To access article, scroll to page 42.
Inuit Art Quarterly, vol. 11, no. 3, Fall, 1996, pp. 20-24
Description
Comments on a college with programs to service the needs of the people from the western Arctic formed in 1995.
Entire issue on one pdf. To access article, scroll to page 20.
Inuit Art Quarterly, vol. 14, no. 3, Fall, 1999, pp. 6-16
Description
Overview of the organization which began as the Canadian Handicrafts Guild and the events which preceded the first exhibition of Eskimo Art in 1949 as well as the following four years.
Entire issue on one pdf. To access article, scroll to page 6.
Mixedblood Messages: Literature, Film, Family, Place
Off the Reservation: Reflections on Boundary-Busting, Border Crossing, and Loose Canons
Book Reviews
Author/Creator
David Payne
Studies in American Indian Literatures, vol. 11, no. 2, Series 2, Summer, 1999, pp. 84-89
Description
Book reviews of:
Mixedblood Messages: Literature, Film, Family, Place by Louis Owens.
Off the Reservation: Reflections on Boundary-Busting, Border Crossing, and Loose Canons by Paula Gunn Allen.
To Access Reviews, scroll to Page 84-89
Brief overview of history of the Chippewas of Nawash First Nation located on Bruce Peninsula in Ontario. Website includes timeline, map, and historic photos with accompanying text.
Inuit Art Quarterly, vol. 11, no. 4, Winter, 1996, pp. 54-59
Description
Presents opening remarks for an exhibition of Cape Dorset prints at the Public Library and Art Museum in London, Ontario.
Entire issue on one pdf. To access article, scroll to page 54.
Inuit Art Quarterly, vol. 14, no. 3, Fall, 1999, pp. 31-33
Description
Suggests that developments and changes in Inuit art may occur as a result of Nunavut entering confederation.
Entire issue on one pdf. To access article, scroll to page 31.
Inuit Art Quarterly, vol. 11, no. 1, 10th Anniversary Issue, Spring, 1996, pp. 4-14
Description
Interviews with eight Inuit artists: Mattiusi Iyaituk, Theresie Tungilik, Natar Ungalaq, Charlie Kogvik, Joseph Suqsluk, William Gruben, John Terriak, and Charlie Inukpuk.
Entire issue on one pdf. To access article, scroll to page 4.
Journal of American Institute for Conservation, vol. 38, no. 1, 1999, pp. 45-54
Description
Analysis of the two paintings uses evidence to formulate a hypothesis as to why the artist, Albert Biestadt painted two versions and in what order they were painted.
Inuit Art Quarterly, vol. 14, no. 3, Fall, 1999, p. 40
Description
Curatorial notes for an exhibition of the same name mounted at the MacKenzie Art Gallery, Regina, Saskatchewan, October 25, 1998 to September, 1999.
Entire issue on one pdf. To access article, scroll to page 40.
Curator: The Museum Journal , vol. 39, no. 2, 1996, pp. 108-122
Description
Discusses the tribe's past resistance to having spiritual ceremonies photographed and their current efforts to restrict access to sensitive material held in museum collections.
Suggests that history and tradition play an important role in contemporary Inuit art.
Chapter from Unpacking Culture: Art and Commodity in Colonial and Post-Colonial Worlds edited by R. Phllips and C. Steiner.
Inuit Art Quarterly, vol. 11, no. 4, Winter, 1996, pp. 17-19
Description
Comments summarized from an interview videotaped during the Great Northern Arts Festival in Inuvik, Northwest Territories.
Entire issue on one pdf. To access article, scroll to page 17.