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An Arts-Based Curriculum Encounter: What Does It Mean to Live on This Land?
Call Me Angakkuq: Captain George Comer and the Inuit of Qatiktalik
Chasms and Collisions: Native American Women's Decolonial Labor
Contemporary Indigenous Arts in the Classroom
Contemporary Native Art of Canada - The Woodland Indians / Art Contemporain des Indiens Sylvicoles due Canada. - Booklet. - 1976.
Cooking Fish Upwanask Style
Decolonizing Hydrosocial Relations: The River as a Site of Ethical Encounter in Alan Michelson's TwoRow II
Equality
First Nations Alcohol Rehabilitation Centre
First Nations Chiefs Speaking
Frederick Alexcee's Entangled Gazes
Friendship Centre Indian and Metis Fashion Show
From Sea to Sea to Sea: Celebrating Indigenous Picture Books
Giving Life to the Truth: Indigenous Art as a Pathway to Archival Decolonization
Haa Léelk'w Hás Ji.Eetí, Our Grandparents' Art: A Study of Master Tlingit Artists, 1750-1989
Henry Beaudry
Honouring: Project of Heart / Speaking to Memory
“If Only It Makes Them Pretty”: Tattooing in “Prompted” Inuit Drawings
Image-based Storytelling: A visual Narrative of My Family’s Story
A series of paintings and text written by the artist narrate pieces of her father’s story, and through the narrative offer a comparison of Dene and Western world-views and understandings of well-being. Journal has reversed the text of the third and fourth paintings.
Incorporating Culture: How Indigenous People Are Reshaping the Northwest Coast Art Industry
Indian Art Display
Indian-Metis Friendship Centre
Indian Summer: Reclaiming and Revitalizing Native American Identity through Art
Inspiration from Museum Collections: An Exhibit as a Case Study in Building Relationships between Museums and Indigenous Artists
Made with Love: Tracing Personal and Cultural Resilience in Annie Pootoogook’s Drawings
Art History Major Research Paper (M.A) - Ontario College of Art & Design University, 2018.
Making A Fish Skin Rattle
Making A Tikunagun
Making Bannock In A Pan
Making Bannock On A Stick
Metis/Indian Marching
Modern Uses of American Indian Art
Nick Bear Carries on Art of Basket Making
Northwest Coast: Educator Resource Guide
Lessons structured around items from the Seattle Museum of Art's collection.
Painting Native America in Public: American Indian Artists and the New Deal
Painting You, Painting Me: Viewing the 'Other' through Gendered-Violence against Indigenous Women and Girls in Kent Monkman's "Shame and Prejudice: A Story of Resilience"
Religion Master's Essay (M.A) -- Queen's University, 2018.
Performing Archive: Curtis + "the vanishing race"
Peter Chamberlain Interview #1
Picking Up the Pieces: The Making of the Witness Blanket
Pocahontas Looks Back and Then Looks Elsewhere: The Entangled Gaze in Contemporary Indigenous Art
Potlatch 67-67: Then and Now
Catalogue for exhibition held to mark the 67th anniversary of the lifting of the Potlatch ban.
Related material: Lesson Plan.
The Preservation and Restoration of Canadian Ethnographic Basketry
“Rather Unusual Stuff”: Nathan Jackson's Early Advent of a Tlingit Modern
Remediating the “Famous Indian Artist”: Native Aesthetics beyond Tourism and Tragedy
Report on the Impact of Inauthentic Art and Craft in the Style of Frist Nations Peoples
Representations of Missing and Murdered Indigenous Women in Canadian Art
Resilience
Rethinking Image and Narrative at the Heart of Empire: Notes from Indigenous London
Presenter discusses how there has been a record of an Indigenous travelers to London dating as far back as 1502, which debunks the common attitude that Indigenous peoples and urbanity and modernity are mutually exclusive.
Duration: 48:36