Search
An Arts-Based Curriculum Encounter: What Does It Mean to Live on This Land?
Bishop Newnham distributing a treat to the Native peoples
Call Me Angakkuq: Captain George Comer and the Inuit of Qatiktalik
Chasms and Collisions: Native American Women's Decolonial Labor
Contemporary Indigenous Arts in the Classroom
Decolonizing Hydrosocial Relations: The River as a Site of Ethical Encounter in Alan Michelson's TwoRow II
Equality
The Face Pullers: Ch.1 Images - Ceremony of Erecting Sundance Lodge
The Face Pullers: Ch.3 Images - Betty Hunter-Stoney
The Face Pullers: Ch.3 Images - Boys of the Indian Reserve, Saskatoon
Black and white photograph of a group of Indigenous men on the White Cap Reserve seated in an early automobile as Charlie Eagle turns the crank. From the book The Face Pullers: Photographing Native Canadians, 1871-1939 by Brock Silversides.
The Face Pullers: Ch.3 Images - Indian Delegation to Meet Sir Wilfrid Laurier, Lloydminster
Black and white photograph of a group of indigenous men comprising a delegation to meet Sir Wilfred Laurier in Lloydminster, including, (from front left) Fox, Mr. Quinney Sr. John Calling Bull, Napeview, Feather Trousers, Horse, Ugly Fingers, Carpenter, Angus Quinney, Benjamin Quinney, Jean Baptiste Opissinow, Young Chief, Joe Taylor, William Sibbald, Father Cunningham, Mikwyapiy, Flying About, Three Legs, Anoine Muskego, Misihew, Silly Man.
From the book The Face Pullers: Photographing Native Canadians, 1871-1939 by Brock Silversides.
The Face Pullers: Ch.3 images - Indigenous Woman and Daughter
The Face Pullers: Ch.4 Images - " A Mystery to Solve"
The Face Pullers: Ch.4 Images - " A Mystery to Solve"-2
The Face Pullers: Ch.4 Images - Big Belly
The Face Pullers: Ch.4 Images - Corporal and "Scouts"
The Face Pullers: Ch.4 Images - Inside Medicine Lodge
The Face Pullers: Ch.4 Images - Joe Big Plume
The Face Pullers: Ch.4 Images - Spring Chief
The Face Pullers: Ch.4 Images - Walking Buffalo
The Face Pullers: Ch.4 Images - Yellow Horse, Head Chief
The Face Pullers - Unused Photos- Many Shots and White Headed Chief
Frederick Alexcee's Entangled Gazes
From Sea to Sea to Sea: Celebrating Indigenous Picture Books
Giving Life to the Truth: Indigenous Art as a Pathway to Archival Decolonization
Haa Léelk'w Hás Ji.Eetí, Our Grandparents' Art: A Study of Master Tlingit Artists, 1750-1989
Honouring: Project of Heart / Speaking to Memory
“If Only It Makes Them Pretty”: Tattooing in “Prompted” Inuit Drawings
Image-based Storytelling: A visual Narrative of My Family’s Story
A series of paintings and text written by the artist narrate pieces of her father’s story, and through the narrative offer a comparison of Dene and Western world-views and understandings of well-being. Journal has reversed the text of the third and fourth paintings.
Images Used: Chapter 2 (A Dying Race): "Betty Hunter -- Stoney".
Images Used: Chapter 2 (A Dying Race): "Ethnologist Measuring and Photography Indian".
Images Used: Chapter 2 (A Dying Race): Postcard entitled "Beardy's Warriors".
Images Used: Chapter 2 (A Dying Race): Unidentified Elderly Woman
Incorporating Culture: How Indigenous People Are Reshaping the Northwest Coast Art Industry
"Indian Ceremonies, Blackfoot Indians, Canadian North-West."
Indian Summer: Reclaiming and Revitalizing Native American Identity through Art
Inspiration from Museum Collections: An Exhibit as a Case Study in Building Relationships between Museums and Indigenous Artists
"Kitsipimi Otunna (Sarcee Squaw)"
Made with Love: Tracing Personal and Cultural Resilience in Annie Pootoogook’s Drawings
Art History Major Research Paper (M.A) - Ontario College of Art & Design University, 2018.
The Material Culture of the Klamath Lake and Modoc Indians of Northeastern California and Southern Oregon
Northwest Coast: Educator Resource Guide
Lessons structured around items from the Seattle Museum of Art's collection.
Painting Native America in Public: American Indian Artists and the New Deal
Painting You, Painting Me: Viewing the 'Other' through Gendered-Violence against Indigenous Women and Girls in Kent Monkman's "Shame and Prejudice: A Story of Resilience"
Religion Master's Essay (M.A) -- Queen's University, 2018.
Performing Archive: Curtis + "the vanishing race"
Picking Up the Pieces: The Making of the Witness Blanket
Pocahontas Looks Back and Then Looks Elsewhere: The Entangled Gaze in Contemporary Indigenous Art
Potlatch 67-67: Then and Now
Catalogue for exhibition held to mark the 67th anniversary of the lifting of the Potlatch ban.
Related material: Lesson Plan.