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The Acquisition of Visual Records Relating to Native Life in North America
Aesthetics in a Cross-Cultural Perspective: Some Reflections on Native American Basketry
After the Art Boom, What?: Yupik and Inuit Art: A Resurgence
Anasazi Ceramics as Text and Tool: Toward a Theory of Ceramic Design "Messaging"
Art of Ethnography: A Critical Analysis of Edward S. Curtis' The North American Indian
The Artists Speak
Ayumee-Aawach Oomama-Mowan: Speaking to Their Mother
Bishop Newnham distributing a treat to the Native peoples
The Black Canoe: Bill Reid and the Spirit of the Haida Gawaii
Challenging Long-Cherished Beliefs
Cross-Cultural Education vs. Modernist Imperialism: The Institute of American Indian Arts
Defying the Limits
The Early Years of Native American Art History: The Politics of Scholarship and Collecting
The Face Pullers: Ch.1 Images - Ceremony of Erecting Sundance Lodge
The Face Pullers: Ch.3 Images - Betty Hunter-Stoney
The Face Pullers: Ch.3 Images - Boys of the Indian Reserve, Saskatoon
Black and white photograph of a group of Indigenous men on the White Cap Reserve seated in an early automobile as Charlie Eagle turns the crank. From the book The Face Pullers: Photographing Native Canadians, 1871-1939 by Brock Silversides.
The Face Pullers: Ch.3 Images - Indian Delegation to Meet Sir Wilfrid Laurier, Lloydminster
Black and white photograph of a group of indigenous men comprising a delegation to meet Sir Wilfred Laurier in Lloydminster, including, (from front left) Fox, Mr. Quinney Sr. John Calling Bull, Napeview, Feather Trousers, Horse, Ugly Fingers, Carpenter, Angus Quinney, Benjamin Quinney, Jean Baptiste Opissinow, Young Chief, Joe Taylor, William Sibbald, Father Cunningham, Mikwyapiy, Flying About, Three Legs, Anoine Muskego, Misihew, Silly Man.
From the book The Face Pullers: Photographing Native Canadians, 1871-1939 by Brock Silversides.