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Aboriginal and Torres Strait Islander Art Economies Project: Literature Review
All My Relations: A Work of Art
Looks at an enormous art mural featuring five themed paintings including a memorial for missing and murdered Aboriginal women.
Entire issue on one pdf. To access article scroll to p.22.
Almighty Voice Jr. and twins
Barking up the Right Tree: Understanding Birch Bark Artifacts from the Canadian Plateau, British Columbia
Beadwork: First People's Beading History and Techniques: Teacher's Guide
Developed for use with book by artist Christi Belcourt in accordance with of the Ontario Adult Literacy Curriculum Framework.
Before Truth: Memory, History and Nation in the Context of Truth and Reconciliation in Canada
Congregation outside church
Coppers from From the Hood: Haida Manga Interventions and Performative Acts
Creating for Culture: Edenshaw's Haida Roots and Cultural Transformations
Decolonizing the Runway: Jessica R. Metcalfe Brings Native American Fashion Into the Spotlight
Draw, Draw, Draw and Keep on Drawing
Looks at Inuit artist, Kenojuak Ashevak, whose artwork was featured on Canada's 1970 six cent stamp.
Entire issue on one pdf. To access article scroll to p.30.
"Drum Connection" Aboriginal Grad 2013
Eastern Beads, Western Applications Wampum Among Plains Tribes
Enabling Women to Live the Life They Choose: Women’s Work
The Face Pullers: Ch. 3 Images - Indian Children
Image of two Indigenous children, a boy and a girl, very young taken on Cold Lake Reserve. From the book The Face Pullers: Photographing Native Canadians, 1871-1939 by Brock Silversides.
The Face Pullers: Ch.3 Images - Inside the Rectory
A group of Indigenous peoples in western clothes taken inside of the Rectory in Hobbema Alberta. From left to right, seated and then standing: Miss Goodeye, Marie Louise Little Child, Marguerite Kanowalch-Biche, Eugenie Cardinal, Johnny Little Child. From the book The Face Pullers: Photographing Native Canadians, 1871-1939 by Brock Silversides.