The Politics of the Camera: Visual Storytelling and Sovereignty in Victor Masayesva's Itam Hakim, Hopiit
Articles » Scholarly, peer reviewed
Author/Creator
Channette Romero
Studies in American Indian Literatures, vol. 22, no. 1, Spring, 2010, pp. 49-75
Description
Looks at the connection between images and stories in the documentary and exposes the politics associated with American Indian filmmaking.
Entire issue on one pdf. To access article, scroll to page 49.