Museum Anthropology, vol. 36, no. 2, September 2013, pp. 113-127
Description
Looks at works by Michael Nicoll Yahgulanaas who infuses Haida form lines, ideas, and oral histories with Manga, a Japanese genre of cartoon illustration.
Decolonization, vol. 7, no. 1, Indigenous Peoples and the Politics of Water, 2018, pp. 94-113
Description
Uses the Mohawk artist's video art installation to highlight differences in settler and Indigenous attitudes towards water in general and the Grand River in particular; explores contested agreements, and considers possibilities for a decolonized relationship between Canada and Indigenous nations.