Great Plains Quarterly, vol. 31, no. 2, Spring, 2011, pp. 105-123
Description
Looks at Poolaw's technique of dramatically posing subjects which he gained through film-making experience and provides an overview of various photographs taken.
Inuit Art Quarterly, vol. 15, no. 2, Summer, 2000, pp. 4-16
Description
Discusses, in part one of a three-part series, the aesthetic and logic of early still photography in the Arctic.
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Entire issue on one pdf. To access article, scroll to page 4.
Inuit Art Quarterly, vol. 15, no. 4, Winter, 2000, pp. 4-11
Description
Looks at the special type of photojournalism developed by Inuit in Nunavik and the profiles and works of independent photographers.
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Entire issue on one pdf. To access article, scroll to page 4.
Inuit Art Quarterly, vol. 15, no. 3, Fall, 2000, pp. 4-15
Description
Looks at the work of two photographers who deal with the same topic and geographical region but with radically different results.
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Entire issue on one pdf. To access article, scroll to page 4.
Records in the Margaret Baker fonds collection tell the story of the development of the Wahpeton reserve and Lucy Baker's activities as a missionary teacher. Reflects stereotypical views of the time.
First Nations of the Southern PrarieshintherFri, 06/05/2009 - 00:35
Documents & Presentations
Author/Creator
Brock Silversides
Description
Folder containing newspaper clippings, captions, didactic panels from and relating to a photographic exhibition entitled "First Nations of the Southern Prairies" hosted at the Medicine Hat Museum and Art Gallery.
Imagining Resistance: Visual Culture and Activism in Canada
[Cultural Studies Series]
E-Books » Chapters
Author/Creator
Claudette Lauzon
Description
Discusses the photographic series Scouting for Indians which documents and challenges mainstream representations of Aboriginals.
Excerpt from Imagining Resistance: Visual Culture and Activism in Canada edited by Kirsty Robertson and J. Kerri Cronin.
Discussion of images of archival treaty illustrations and photographs. Plates are divided into three groups: Plates 1-4 are treaty negotiations from 1871 to 1899; Plates 5-8 are treaty annuity payments; Plates 9-12 are treaty days dealing with post-treaty issues.
Looks at the dominant visual representations of Native Americans and the use of photography as a form of resistance to racist photographic representations.
Saskatchewan History, vol. 52, no. 1, Spring, 2000, pp. 16-
Description
A short article accompanying and commenting on selected photographs that can be found throughout the issue.
Entire issue on one .pdf, scroll to page 16.
Alaska State Museums Bulletin, no. 43, August 23, 2011, p. [?]
Description
Overview of the use of photography to portray the indigenous populations and in mapping and surveying during the 19th and early 20th centuries. Includes photographs
Exhibit held at the National Museum of the American Indian. Curated by Gerald McMaster and co-curated by Arthur Renwick. Features works by: Marianne Nicolson, Shelley Niro, Mateo Romero, Nora Naranjo-Morse, C. Maxx Stevens, Jolene Rickard and Mary Longman.
American Indian Culture and Research Journal, vol. 35, no. 1, 2011, pp. 119-185
Description
Book reviews of:
2000 Years of Mayan Literature by Dennis Tedlock.
Child of the Fire: Mary Edmonia Lewis and the Problem of Art History’s Black and Indian Subject by Kirsten Pai Buick.
Conservation Refugees: The Hundred-Year Conflict between Global Conservation and Native Peoples by Mark Dowie.
Delaware Tribe in a Cherokee Nation by Brice Obermeyer.
Demons, Saints, & Patriots: Catholic Visions of Indian America through The Indian Sentinel (1902–1962) by Mark Clatterbuck.
George Lutz recounts stories while living at Mandan, North Dakota and helping his father Rolland produce thousands of postcards of Native Americans. Includes photographs.
The Face Pullers: Photographing Native Canadians, 1871-1939
Documents & Presentations
Author/Creator
Frederick Steele
Description
Sample cover for Brock Silversides' "The Face Pullers" featuring black and white photo of Blackfoot man identified as Black Plume, wearing embroidered coat.