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Aboriginal Australian Art Today
Aboriginal Oral Traditions of Australian Impact Craters
All My Relations: A Work of Art
Looks at an enormous art mural featuring five themed paintings including a memorial for missing and murdered Aboriginal women.
Entire issue on one pdf. To access article scroll to p.22.
[Anishinabee Colouring Sheets]
Six pages are images from Sacred Feminine and IKWE colouring books.
Annie Pootoogook: Life & Work
Artful Destination
Artistic Funny Bones: An Investigation Into the Social Purpose of Humor in Art in the Work of Jimmie Durham and David Shrigley
Awa Tsireh and the Art of Subtle Resistance
Between Lines and Beyond Boundaries: Alootook Ipellie's Entanglements of Space
Examines the work of activist Alootook Ipellie to show how it reflects Inuit perspectives on housing, animals and land.
A Celebration of Life: The Art of Gordon Yellowman
Challenging Tradition, Challenging Pop Art: Sonny Assu
Christian Motifs in Pacific Northwest Coast Native American Art
[Coast Salish Art in the 21st Century]
Culture Inspires Art: Featuring First Nations, Métis, and Inuit Artists
Daphne Odjig: Indigenous Art and Contemporary Curatorial Practices
Draw, Draw, Draw and Keep on Drawing
Looks at Inuit artist, Kenojuak Ashevak, whose artwork was featured on Canada's 1970 six cent stamp.
Entire issue on one pdf. To access article scroll to p.30.
Drawing Identities: An Ethnography of Indigenous Comic Book Creators
The Essay: Decolonizing History Painting
Excerpt from Revision and Resistance: mistikôsiwak (Wooden Boat People) at The Metropolitan Museum of Art discusses the diptych created by Kent Monkman.
From Off the Rez to Off the Hook!: Douglas Miles and Apache Skateboards
From Pantheon to Indian Gallery: Art and Sovereignty on the Early Nineteenth-Century Cultural Frontier
Graphic Indigeneity : Comics in the Americas and Australasia
Healing through the Photographic Murals of James "Chip" "Jetsonorama" Thomas
How Raven Steals the Sun: Retold and Drawn by Quentin Harris
Salish artist retells the traditional story while drawing step-by-step visual interpretation.
Duration: 1:30:23.
In a State of Metamorphosis: Artistic Responses in the Legacy of the Residential School Experience
In Our Own Words: Bringing Authentic First Peoples Content to the K-3 Classroom
The Inconvenient Indian
Documentary inspired by the non-fiction book of the same name by Thomas King explores historical attitudes and efforts to colonize Indigenous peoples and contemporary expressions of resistance.
Duration: 1h, 29 min.
Joseph Sanchez's Soft Light
Examines the paintings of Joseph Sanchez and how they reflect different conceptions of time and space.
[Ledger Narratives: The Plains Indian Drawings of the Lansburgh Collection at Dartmouth College]
A Modernist Moment: Native Art and Surrealism at the University of Oklahoma
My Breath, My Gravity: My Anishinabe Indexical Opens, Pops and Riffs
Communication, Art and Technology Thesis (M.F.A.)--Simon Fraser University, 2013.
My Journey of Magic Realism
[National Museum of the American Indian: Bears]
[National Museum of the American Indian: Ernest Spybuck, Shawnee Artist]
[National Museum of the American Indian: Navajo Paintings]
Nunatsiavummi Sananguagusigisimajangit / Nunatsiavut Art History: Continuity, Resilience, and Transformation in Inuit Art
Our Roots: Stampede School
Pamela Masik and The Forgotten Exhibition: Controversy and Cancellation at the Museum of Anthropology
Reading Shanawdithit's Drawings: Transcultural Texts in the North American Colonial World
Review of Memory, and Violence in the New West
Sakahân: International Indigenous Art
Tah'lum Indigenous Artist Collective Colouring Book: Volume 1: Michif and Lekwungen
University Offering New Options for Art Students
Announces the Aboriginal Visual Culture Program which focuses on how to make art and the history of that process.
Entire issue on one pdf. To access article scroll to p.14.
Unreserved: The Work of Louie Gong: Educational Resource
Voyageur Re-presentations and Complications: Frances Anne Hopkins and the Métis Nation of Ontario
A Walk in the Woods with Murv Jacobs
Why the 90s Were so Sexy: Locating Sexuality, Pleasure and Desire in Work Produced by Indigenous Women Identified Artists During the 1990s and Early 2000s in Canada
Art History Major Research Paper (M.A) -- Ontario College of Art & Design University, 2020.