Art History, vol. 34, no. 3, June 19, 2011, pp. 536-561
Description
Discusses three influences on his work; his teacher, Carlo Altenburg, an abstract painter, Dene methods of mapping trails, and the effect of being isolated from traditional lands.
Speaker uses examples from the Museum of Anthropology, University of British Columbia to illustrate talk which focuses on federal government's involvement in creation and marketing of Inuit art.
Duration: 1:13:11.
IK: Other Ways of Knowing, vol. 2, 2016, pp. 102-111
Description
Briefly discusses exhibition of Warli art called Birth of the Painted World and the activities of the Society for Indian Music and Arts (SIMA) at Pennsylvania State University.
Inuit Art Quarterly, vol. 26, no. 3-4, Fall/Winter, 2011, pp. 14-20
Description
Looks at the work of artists Arnaqu Ashevak, Ohotaq Mikkigak, Suvinai Ashoona, Itee Pootoogook, Tim Pitsiulak, and Jutai Toonoo.
Entire issue on one pdf. To access article scroll to p. 14.
Eagle Feather News, vol. 14, no. 4, April 2011, pp. 1-2
Description
Description of a travelling art exhibit, The Recognition of Place: Strength & Endurance of Aboriginal Women, which features eight female leaders, some posthumously.
Article found on pages 1-2.
Discussion about the controversial series of paintings entitled The Forgotten by Pamela Masik which portrayed the sixty-nine missing and murdered women from Vancouver's Downtown Eastside. The exhibition to be held at the Museum of Anthropology was cancelled due to protests.
Duration: 31:50.
Proceedings from the second Virtual Roundtable on First Nation Citizenship held June 20, 2011. Roundtable featured discussion on First Nation citizenship, identity, and Nationhood.
Inuit Art Quarterly, vol. 26, no. 1, 25th Anniversary Issue, Spring, 2011, pp. 14-17
Description
Brief article outlines common themes represented in Inuit art and cites articles found in the magazine which deal with the topic.
Entire issue on one pdf. To access article scroll to p. 14.
Extrapolation, vol. 57, no. 1-2, 2016, pp. 117-150
Description
Discusses how the work of these visual artists participates in Indigenous storytelling about the future by engaging with contemporary artistic practices and mainstream popular culture; author examines the way that the artists challenge Western colonial narratives and stereotypes.
Inuit Art Quarterly, vol. 26, no. 2, Summer, 2011, pp. 37-39
Description
Reviews exhibition catalogue Inuit Prints by Norman Vorano, with Asato Ikeda, Ming Tiampo, and Kananginak Pootoogook.
Entire issue on one pdf. To access review scroll to p. 37.
BC Studies, no. 172, Winter, 2011/2012, pp. 134-135
Description
Book review of 3 books:The 500 Years of Resistance Comic Book by Gord Hill.
Morris as Elvis: Take a Chance on Life by Morris Bate, Jim Brown.
Working With Wool: A Coast Salish Legacy and the Cowichan Sweater by Sylvia Olsen.
Entire book review section on one pdf. To access this review, scroll to p. 134.
Discusses the variety of influences present in such works as the illustrated book Red: A Haida Manga
Excerpt from Objects of Exchange: Social and Material Transformation on the Late-Nineteenth-Century Northwest Coast edited by Aaron Glass.
Journal of American Folklore, vol. 129, no. 512, Spring 2016, pp. 240-243
Description
Review of an exhibit, featuring more than 50 historical images of Native Americans and about a dozen contemporary photographs, curated by Daniel Kosharek, Diane Bird, and Andrew Smith, mounted at New Mexico History Museum, May 18-November 4, 2012.
Political Economy of Communication, vol. 4, no. 1, 2016, pp. 102-125
Description
Focuses on a Toronto-based arts organization which, every summer, produces murals centred on Aboriginal teachings and stories and connected with communities and the local environment.