Inuit Art Quarterly, vol. 14, no. 1, Spring, 1999, pp. 42-44
Description
Exhibition review mounted at the Carleton University Art Gallery, Ottawa, Ontario, September 12 to December 5, 1998.
Entire issue on one pdf. To access article, scroll to page 42.
Journal of American Institute for Conservation, vol. 38, no. 1, 1999, pp. 45-54
Description
Analysis of the two paintings uses evidence to formulate a hypothesis as to why the artist, Albert Biestadt painted two versions and in what order they were painted.
IK: Other Ways of Knowing, vol. 2, 2016, pp. 102-111
Description
Briefly discusses exhibition of Warli art called Birth of the Painted World and the activities of the Society for Indian Music and Arts (SIMA) at Pennsylvania State University.
Extrapolation, vol. 57, no. 1-2, 2016, pp. 117-150
Description
Discusses how the work of these visual artists participates in Indigenous storytelling about the future by engaging with contemporary artistic practices and mainstream popular culture; author examines the way that the artists challenge Western colonial narratives and stereotypes.
Inuit Art Quarterly, vol. 14, no. 2, Summer, 1999, pp. 34-35
Description
Curatorial notes for exhibition of the same name mounted at the Winnipeg Art Gallery, 1999.
Entire issue on one pdf. To access article, scroll to page 34.
Inuit Art Quarterly, vol. 14, no. 3, Fall, 1999, pp. 35-37
Description
Curatorial notes for exhibition of the same name mounted at the Canadian Museum of Civilization, Quebec, 2000.
Entire issue on one pdf. To access article, scroll to page 35.
Journal of American Folklore, vol. 129, no. 512, Spring 2016, pp. 240-243
Description
Review of an exhibit, featuring more than 50 historical images of Native Americans and about a dozen contemporary photographs, curated by Daniel Kosharek, Diane Bird, and Andrew Smith, mounted at New Mexico History Museum, May 18-November 4, 2012.
Political Economy of Communication, vol. 4, no. 1, 2016, pp. 102-125
Description
Focuses on a Toronto-based arts organization which, every summer, produces murals centred on Aboriginal teachings and stories and connected with communities and the local environment.
Inuit Art Quarterly, vol. 14, no. 3, Fall, 1999, pp. 38-39
Description
Curatorial notes for exhibition by the same name organized by Macdonald Stewart Art Centre, 2000.
Entire issue on one pdf. To access article, scroll to page 38.
Paintings of totem pole villages created in the early 20th century done by Emily Carr and other artists. The voice of First Nations people describes and provides context for the artworks.