Inuit Art Quarterly, vol. 19, no. 2, Summer, 2004, pp. 29-[31]
Description
Exhibition centers around Inuit artists' depictions of scenes which almost exclusively feature tents or igloos, rather than modern structures. Curated by Melanie Evtushenko.
Entire issue on one pdf. To access article, scroll to p. 29.
Inuit Art Quarterly, vol. 14, no. 1, Spring, 1999, pp. 42-44
Description
Exhibition review mounted at the Carleton University Art Gallery, Ottawa, Ontario, September 12 to December 5, 1998.
Entire issue on one pdf. To access article, scroll to page 42.
International Journal of Transpersonal Studies, vol. 23, no. 1, 2004, pp. 1-20
Description
Discusses the relationship between art and spirit, with a special reference to the way Navajo art is used in healing ceremonies to evoke and channel power.
American Art, vol. 18, no. 3, Fall, 2004, pp. 8-31
Description
Looks at the murals officially entitled Themes of the Bureau of Indian Affairs which were installed in the Interior Department building in Washington, D.C.
Journal of American Institute for Conservation, vol. 38, no. 1, 1999, pp. 45-54
Description
Analysis of the two paintings uses evidence to formulate a hypothesis as to why the artist, Albert Biestadt painted two versions and in what order they were painted.
Inuit Art Quarterly, vol. 14, no. 2, Summer, 1999, pp. 34-35
Description
Curatorial notes for exhibition of the same name mounted at the Winnipeg Art Gallery, 1999.
Entire issue on one pdf. To access article, scroll to page 34.
Inuit Art Quarterly, vol. 14, no. 3, Fall, 1999, pp. 35-37
Description
Curatorial notes for exhibition of the same name mounted at the Canadian Museum of Civilization, Quebec, 2000.
Entire issue on one pdf. To access article, scroll to page 35.
Inuit Art Quarterly, vol. 19, no. 1, Spring, 2004, pp. 19-23
Description
Profile of the Inuit artist whose drawings were atypical of the works produced in northern print shops.
Entire issue on one pdf. To access article, scroll to p. 19.
Inuit Art Quarterly, vol. 14, no. 3, Fall, 1999, pp. 38-39
Description
Curatorial notes for exhibition by the same name organized by Macdonald Stewart Art Centre, 2000.
Entire issue on one pdf. To access article, scroll to page 38.
Paintings of totem pole villages created in the early 20th century done by Emily Carr and other artists. The voice of First Nations people describes and provides context for the artworks.
Cultural Studies Review, vol. 10, no. 1, March 2004, pp. 42-60
Description
Explains why Tuhoe activist Te Kaha in an act of cultural activism, took a painting by Colin McCahon from the Aniwaniwa Visitor Centre in 1997 and then returned it in 1998.