Art History, vol. 34, no. 3, June 19, 2011, pp. 536-561
Description
Discusses three influences on his work; his teacher, Carlo Altenburg, an abstract painter, Dene methods of mapping trails, and the effect of being isolated from traditional lands.
Speaker uses examples from the Museum of Anthropology, University of British Columbia to illustrate talk which focuses on federal government's involvement in creation and marketing of Inuit art.
Duration: 1:13:11.
Inuit Art Quarterly, vol. 26, no. 3-4, Fall/Winter, 2011, pp. 14-20
Description
Looks at the work of artists Arnaqu Ashevak, Ohotaq Mikkigak, Suvinai Ashoona, Itee Pootoogook, Tim Pitsiulak, and Jutai Toonoo.
Entire issue on one pdf. To access article scroll to p. 14.
Eagle Feather News, vol. 14, no. 4, April 2011, pp. 1-2
Description
Description of a travelling art exhibit, The Recognition of Place: Strength & Endurance of Aboriginal Women, which features eight female leaders, some posthumously.
Article found on pages 1-2.
Discussion about the controversial series of paintings entitled The Forgotten by Pamela Masik which portrayed the sixty-nine missing and murdered women from Vancouver's Downtown Eastside. The exhibition to be held at the Museum of Anthropology was cancelled due to protests.
Duration: 31:50.
Proceedings from the second Virtual Roundtable on First Nation Citizenship held June 20, 2011. Roundtable featured discussion on First Nation citizenship, identity, and Nationhood.
Inuit Art Quarterly, vol. 26, no. 1, 25th Anniversary Issue, Spring, 2011, pp. 14-17
Description
Brief article outlines common themes represented in Inuit art and cites articles found in the magazine which deal with the topic.
Entire issue on one pdf. To access article scroll to p. 14.
Inuit Art Quarterly, vol. 7, no. 2, Spring, 1992, pp. 38-42
Description
Review essay of art exhibition held at the McMichael Canadian Art Collection, Kleinburg, Ontario, December 15, 1991 to March 29, 1992 featuring 100,00 drawings and prints from West Baffin Cooperative.
Entire issue on one pdf. To access article, scroll to page 38.
Art Journal, vol. 51, no. 3, Recent Native American Art, Fall, 1992, pp. 66-73
Description
Author comments on the exhibition mounted by the Canadian Museum of Civilization in 1992 and issues concerning the Aboriginal artistic community in general, such as being the subject or object, rather than the observer.
Inuit Art Quarterly, vol. 26, no. 2, Summer, 2011, pp. 37-39
Description
Reviews exhibition catalogue Inuit Prints by Norman Vorano, with Asato Ikeda, Ming Tiampo, and Kananginak Pootoogook.
Entire issue on one pdf. To access review scroll to p. 37.
Art Journal, vol. 51, no. 3, Recent Native American Art, Autumn, 1992, pp. 83-85
Description
Review of the Leonora Carrington: The Mexican Years, 1943-1985 exhibit organized by Holly Barnet-Sanchez, essay by Whitney Chadwick, interview by Paul de Angelis, chronology by Salomon Grimberg. The Exhibition was in the Mexico Museum of San Francisco, December 11, 1991 to March 8, 1992.
BC Studies, no. 172, Winter, 2011/2012, pp. 134-135
Description
Book review of 3 books:The 500 Years of Resistance Comic Book by Gord Hill.
Morris as Elvis: Take a Chance on Life by Morris Bate, Jim Brown.
Working With Wool: A Coast Salish Legacy and the Cowichan Sweater by Sylvia Olsen.
Entire book review section on one pdf. To access this review, scroll to p. 134.
Discusses the variety of influences present in such works as the illustrated book Red: A Haida Manga
Excerpt from Objects of Exchange: Social and Material Transformation on the Late-Nineteenth-Century Northwest Coast edited by Aaron Glass.
Art Journal, vol. 51, no. 3, Recent Native American Art, Autumn, 1992, pp. 74-80
Description
Discusses the Indian Arts and Crafts Act of 1990 (United States) and the artist's response, as illustrated in his art, is that "authenticity" is another concept designed to keep Native Americans enclosed in "their world" through a label imposed by Euro-Americans.
Describes the significance of some ledger-type Assiniboine drawings by an unknown artist and how they record a lifestyle that has disappeared from the Canadian Plains.
Analyzes the kinds of art that are deemed acceptable as Aboriginal and discusses the ways the Barkindji people in Wilcannia deal with issues pertaining to the politics of culture, cultural subjectivity and identity.
Art Journal, vol. 51, no. 3, Recent Native American Art, Autumn 1992, pp. 59-65
Description
Surveys works of contemporary artists including: Gerald McMaster, Lawrence Paul, Shelley Niro, Bill Powless, Jane Ash Poitras, and Joanne Cardinal-Schubert.
American Indian Culture and Research Journal, vol. 35, no. 4, 2011, pp. 119-145
Description
Discusses the metaphorical surrealism in Jim Denomie paintings showing historical and contemporary events in American and Native American history, as well as aspects of pop-culture, art history and Anglo-Indian relations.