Inuit Art Quarterly, vol. 13, no. 3, Making Art in Nunavik, Fall, 1998, pp. 49-51
Description
Curatorial notes for an exhibition of the same name mounted at the National Gallery of Canada, Ottawa, Ontario, April 10 to October 18, 1998.
Entire issue on one pdf. To access article, scroll to page 49.
Inuit Art Quarterly, vol. 13, no. 4, Winter, 1998, pp. 36-37
Description
Exhibition review from the MacDonald Stewart Art Centre, Guelph, Ontario, 1998 curated by Chandler Kirwin and Judith Nasby.
Entire issue on one pdf. To access article, scroll to page 36.
Inuit Art Quarterly, vol. 13, no. 2, Summer, 1998, p. 43
Description
Curatorial notes of an exhibition mounted at the Winnipeg Art Gallery, February 1 to September 6, 1998.
Entire issue on one pdf. To access article, scroll to page 43.
Reservation X: The Power of Place in Aboriginal Contemporary Art
E-Books » Chapters
Author/Creator
Nancy Marie Mithlo
Description
Comments on an exhibit showcasing four Native American women artists.
Chapter from Reservation X: The Power of Place in Aboriginal Contemporary Art edited by Gerald McMaster.
Inuit Art Quarterly, vol. 13, no. 3, Making Art in Nunavik, Fall, 1998, pp. 4-17
Description
Comments on historical highlights including the role missionaries and employees of the Hudson's Bay Company played in the development of carving.
Entire issue on one pdf. To access article, scroll to page 4.
Inuit Art Quarterly, vol. 13, no. 1, Spring, 1998, pp. 38-39
Description
Curatorial notes from exhibition of the same name mounted at the National Gallery of Canada, Ottawa, Ontario, November 28, 1997 to March 29, 1998.
Entire issue on one pdf. To access article, scroll to page 38.
Consists of an interview about various aspects of the Pigeon Society; the role of various members; women in the society; competing for wives; the Crow Carriers Society; the Brave Society including a story of a fight against the Cree when the enemy was scared away by the dancing of the Braves; and the Scaping dance.
Consists of an interview about the acquisition of the Pigeon Society by the Blood Indians; the ceremonials of the Pigeon Society, including the transfer of bundles.
Inuit Art Quarterly, vol. 13, no. 4, Winter, 1998, pp. 4-15
Description
Comments on a generation of artists born and raised in permanent settlements and the effects on their art work.
Entire issue on one pdf. To access article, scroll to page 4.
Inuit Art Quarterly, vol. 13, no. 1, Spring, 1998, pp. 32-34
Description
Curatorial notes for exhibition of the same name at the Canadian Cultural Centre, France, 1997 and The Waikato Museum of Art and History, New Zealand, 1997.
Entire issue on one pdf. To access article, scroll to page 32.
Inuit Art Quarterly, vol. 13, no. 1, Spring, 1998, pp. 36-37
Description
Curatorial notes for exhibition of the same name mounted at the Winnipeg Art Gallery, September 20, 1997 to April 5, 1998.
Entire issue on one pdf. To access article, scroll to page 36.
Virtual exhibition features portrayals of traditional cultures of the Tlingit, Tsimshian, Haida, Nuxalk, Kwakwaka'wakw, Nuu-chah-nulth, and Salish peoples.
Inuit Art Quarterly, vol. 13, no. 1, Spring, 1998, pp. 6-17
Description
Comments on the 17 artists, representing all regions of the Arctic, in attendance at the Pan-Arctic Women's Workshop. Includes brief profiles.
Entire issue on one pdf. To access article, scroll to page 6.