International Journal of Canadian Studies, no. 41, Representations of First Nations and Métis in Canada and Quebec / Présentation: Représentations des, 2010, pp. 181-192
Post Script, vol. 29, no. 3, Indian Cinema, Summer, 2010, pp. 3-[?]
Description
Introduction to special issue celebrating Indigenous film in North America with examples of key films and filmmakers, approaches to studying and writing and interviews with filmmakers in Canada, Mexico and the United States.
Analyzes 691 news and opinion articles published in 19 Canadian daily newspapers, Maclean's magazine and four wire services between July 31 and Oct. 16, 1995.
Looks at what kind of access is available to the internet in remote communities, where the internet accessible is located in these communities, and evaluates if the internet is a useful tool for Aboriginal women to access health information.
American Indian Culture and Research Journal, vol. 29, no. 3, 2005, pp. 25-57
Description
Review of the film, The Mission, that contends the underlying message in it is to free the colonizers of their guilt and doubt, which undermines the film's central allegory of physical and spiritual genocide of conquered Native Americans.
Proposes changes in policy, funding and structural frameworks for the Indigenous media sector to promote uptake of technologies and make it an integral part of the broadcasting structure in Australia.
Meeting of the Federation of Saskatchewan Indian Nations (FSIN), Saskatchewan Association of Rural Municipalities (SARM) and Saskatchewan Urban Municipalities Association (SUMA) and their discussion of areas of common concern.
The Howard Journal of Communications, vol. 21, no. 4, Special Issue: Special Forum: American Indians and the Media, 2010, pp. 328-344
Description
Looks at Native American journalism from 1828 starting with Cherokee Phoenix, the first Aboriginal published newspaper to Aboriginal owned and operated radio stations by the mid-1970s.
Contends that programs and services must respond to the compounding effects of oppression and repeated exposure to violence that young Aboriginal women face.
Compares films using Kwakwaka’wakw ceremonies made by white filmmakers and the U'mista Cultural Society to discuss how culture is represented in film through different view points.
Chapter from Walking a Tightrope: Aboriginal People and Their Representations edited by David McNab and Ute Lischke.
English Thesis (M.A.)--University of Wisconsin Oshkosh, 2010.
Focuses on The Lone Ranger and Tonto Fistfight in Heaven and The Absolutely True Diary of a Part-Time Indian by Sherman Alexie.
Leonie Sandercock discusses documentary, Finding Our Way a documentary about Burns Lake municipality, the reserve in the middle and the Carrie Nation.
Duration: 47.12.
The American University Journal of Gender, Social Policy & the Law, vol. 13, no. 3, 2005, pp. 597-631
Description
Uses fictitious story of tribally-run school which eventually is taken over by non-Indians as an allegory for the European conquest of Indigenous peoples.
Communique, Special Section: Indigenous Peoples: Promoting Psychological Healing and Well-Being, August 2010, pp. xlviii-liv
Description
Describes recent legislation towards the eradication of Native American themed mascots, nicknames, and logos.
Entire issue on one pdf. To access article, scroll to page xlviii.
American Indian Quarterly, vol. 20, no. 1, Writing about (Writing about) American Indians, Winter, 1996, pp. 49-55
Description
Author criticizes the ways that History scholars portray Indigenous peoples in their writings with a particular focus on Richard White’s The Middle Ground: Indians, Empires, and Republics in the Great Lakes Region, 1650-1815.
American Indian Culture and Research Journal, vol. 20, no. 4, 1996, pp. 91-119
Description
Deals with problems of identity, especially as a construct imposed upon indigenous peoples. Also examines the identity threshold experience in Silko and Momaday's works.
Media International Australia Incorporating Culture and Policy, vol. 116, August 2005, pp. 24-35
Description
Provides background on two multimedia projects that open up new ways of seeing and thinking about narratives, images and performances in virtual space-time and discusses the relevance of games for anthropological insights.
American Indian Quarterly , vol. 29, no. 3/4, Special Issue: The National Museum of the American Indian, Summer - Autumn, 2005, pp. 466-477
Description
Author describes the short film created to introduce the audience to the National Museum of the American Indian (NMAI) and their role in the production of it.
American Literature, vol. 82, no. 4, December 2010, pp. 837-839
Description
Book reviews of:
Mapping the Americas: The Transnational Politics of Contemporary Native Culture by Shari M. Huhndorf
Manifesting America: The Imperial Construction of U.S. National Space by Mark Rifkin
Book reviews found by scrolling to page 837.
American Indian Culture and Research Journal, vol. 20, no. 3, Special Issue on The Shadow Catcher: The Uses of Native American Photography, 1996, pp. 51-64
Description
Examines some photographers' motivations for doing photographs and the reactions of those being photographed, and argues that Natives Americans wish to preserve and interpret their own histories with photographs that illustrate all facets of their lives.
Native Studies Review, vol. 19, no. 1, 2010, pp. 144-147
Description
Book review of: Memories, Myths, and Dreams of an Ojibwe Leader by William Berens ; as told to A. Irving Hallowell ; edited by Jennifer S.H. Brown & Susan Elaine Gray.