Canadian Journal of Native Studies, vol. 18, no. 2, 1998, pp. 335-373
Description
Interviews with three visual artists whose work emphasizes cultural meanings within the film and video work by Loretta Todd and photography by Shelley Niro and Patricia Deadman.
International Journal of Canadian Studies, no. 41, Representations of First Nations and Métis in Canada and Quebec / Présentation: Représentations des, 2010, pp. 181-192
Post Script, vol. 29, no. 3, Indian Cinema, Summer, 2010, pp. 3-[?]
Description
Introduction to special issue celebrating Indigenous film in North America with examples of key films and filmmakers, approaches to studying and writing and interviews with filmmakers in Canada, Mexico and the United States.
Proposes changes in policy, funding and structural frameworks for the Indigenous media sector to promote uptake of technologies and make it an integral part of the broadcasting structure in Australia.
The Howard Journal of Communications, vol. 21, no. 4, Special Issue: Special Forum: American Indians and the Media, 2010, pp. 328-344
Description
Looks at Native American journalism from 1828 starting with Cherokee Phoenix, the first Aboriginal published newspaper to Aboriginal owned and operated radio stations by the mid-1970s.
English Thesis (M.A.)--University of Wisconsin Oshkosh, 2010.
Focuses on The Lone Ranger and Tonto Fistfight in Heaven and The Absolutely True Diary of a Part-Time Indian by Sherman Alexie.
Leonie Sandercock discusses documentary, Finding Our Way a documentary about Burns Lake municipality, the reserve in the middle and the Carrie Nation.
Duration: 47.12.
Communique, Special Section: Indigenous Peoples: Promoting Psychological Healing and Well-Being, August 2010, pp. xlviii-liv
Description
Describes recent legislation towards the eradication of Native American themed mascots, nicknames, and logos.
Entire issue on one pdf. To access article, scroll to page xlviii.
American Literature, vol. 82, no. 4, December 2010, pp. 837-839
Description
Book reviews of:
Mapping the Americas: The Transnational Politics of Contemporary Native Culture by Shari M. Huhndorf
Manifesting America: The Imperial Construction of U.S. National Space by Mark Rifkin
Book reviews found by scrolling to page 837.
Native Studies Review, vol. 19, no. 1, 2010, pp. 144-147
Description
Book review of: Memories, Myths, and Dreams of an Ojibwe Leader by William Berens ; as told to A. Irving Hallowell ; edited by Jennifer S.H. Brown & Susan Elaine Gray.
American Literature, vol. 82, no. 1, March 2010, pp. 183-186
Description
Book reviews of:
Moving Encounters: Sympathy and the Indian Question in Antebellum Literature by Laura L. Mielke
The Transatlantic Indian, 1776-1930 by Kate Flint All That Remains: Varieties of Indigenous Expression by Arnold Krupat.
Scroll down to page 183 to see reviews.
Eagle Feather News, vol. 13, no. 4, April 2010, p. 12
Description
Author reflects on his acting career and mentions, although he enjoys acting, lacking the motivation to do more work in the industry.
Article found by scrolling to page 12.
The Canadian Journal of Native Studies, vol. 10, no. 1, 1990, pp. 97-119
Description
Argues that the Northern Native Broadcast Access Program has the potential to empower communities by responding to local initiatives, tailoring services for specific needs and creating collaborative relationships.
Focuses on detective narratives. Discusses Street Wolf by Mark Wayne Harris and Dennis Francis, Skinwalker by Nunzio DeFilippis and Christina Weir, and Scalped by Jason Aaron and R. M. Guéra.
Examines the conceptual challenges of a national cinema; describes the political and creative utility in the Native Southwest; looks at the work of Larry Blackhorse Lowe, Nanobah Becker, and Bennie Klain; and discusses the challenges that might undermine the prospects for a Navajo national cinema.