International Journal of Canadian Studies, no. 41, Representations of First Nations and Métis in Canada and Quebec / Présentation: Représentations des, 2010, pp. 181-192
Post Script, vol. 29, no. 3, Indian Cinema, Summer, 2010, pp. 3-[?]
Description
Introduction to special issue celebrating Indigenous film in North America with examples of key films and filmmakers, approaches to studying and writing and interviews with filmmakers in Canada, Mexico and the United States.
Proposes changes in policy, funding and structural frameworks for the Indigenous media sector to promote uptake of technologies and make it an integral part of the broadcasting structure in Australia.
Meeting of the Federation of Saskatchewan Indian Nations (FSIN), Saskatchewan Association of Rural Municipalities (SARM) and Saskatchewan Urban Municipalities Association (SUMA) and their discussion of areas of common concern.
The Howard Journal of Communications, vol. 21, no. 4, Special Issue: Special Forum: American Indians and the Media, 2010, pp. 328-344
Description
Looks at Native American journalism from 1828 starting with Cherokee Phoenix, the first Aboriginal published newspaper to Aboriginal owned and operated radio stations by the mid-1970s.
English Thesis (M.A.)--University of Wisconsin Oshkosh, 2010.
Focuses on The Lone Ranger and Tonto Fistfight in Heaven and The Absolutely True Diary of a Part-Time Indian by Sherman Alexie.
Leonie Sandercock discusses documentary, Finding Our Way a documentary about Burns Lake municipality, the reserve in the middle and the Carrie Nation.
Duration: 47.12.
Communique, Special Section: Indigenous Peoples: Promoting Psychological Healing and Well-Being, August 2010, pp. xlviii-liv
Description
Describes recent legislation towards the eradication of Native American themed mascots, nicknames, and logos.
Entire issue on one pdf. To access article, scroll to page xlviii.
American Indian Quarterly, vol. 20, no. 1, Writing about (Writing about) American Indians, Winter, 1996, pp. 49-55
Description
Author criticizes the ways that History scholars portray Indigenous peoples in their writings with a particular focus on Richard White’s The Middle Ground: Indians, Empires, and Republics in the Great Lakes Region, 1650-1815.
American Indian Culture and Research Journal, vol. 20, no. 4, 1996, pp. 91-119
Description
Deals with problems of identity, especially as a construct imposed upon indigenous peoples. Also examines the identity threshold experience in Silko and Momaday's works.
American Literature, vol. 82, no. 4, December 2010, pp. 837-839
Description
Book reviews of:
Mapping the Americas: The Transnational Politics of Contemporary Native Culture by Shari M. Huhndorf
Manifesting America: The Imperial Construction of U.S. National Space by Mark Rifkin
Book reviews found by scrolling to page 837.
American Indian Culture and Research Journal, vol. 20, no. 3, Special Issue on The Shadow Catcher: The Uses of Native American Photography, 1996, pp. 51-64
Description
Examines some photographers' motivations for doing photographs and the reactions of those being photographed, and argues that Natives Americans wish to preserve and interpret their own histories with photographs that illustrate all facets of their lives.
Native Studies Review, vol. 19, no. 1, 2010, pp. 144-147
Description
Book review of: Memories, Myths, and Dreams of an Ojibwe Leader by William Berens ; as told to A. Irving Hallowell ; edited by Jennifer S.H. Brown & Susan Elaine Gray.
American Literature, vol. 82, no. 1, March 2010, pp. 183-186
Description
Book reviews of:
Moving Encounters: Sympathy and the Indian Question in Antebellum Literature by Laura L. Mielke
The Transatlantic Indian, 1776-1930 by Kate Flint All That Remains: Varieties of Indigenous Expression by Arnold Krupat.
Scroll down to page 183 to see reviews.
Eagle Feather News, vol. 13, no. 4, April 2010, p. 12
Description
Author reflects on his acting career and mentions, although he enjoys acting, lacking the motivation to do more work in the industry.
Article found by scrolling to page 12.