Cultural Resistance and "Playing Indian" in Thomas King's "Joe the Painter and the Deer Island Massacre"
Articles » Scholarly, peer reviewed
Author/Creator
Timothy Glenn
Western American Literature, vol. 45, no. 3, Fall, 2010, pp. 228-251
Description
Looks at how role reversals and racial imitations in Joe the Painter and the Deer Island Massacre transforms the stereotypical trappings of Indian roles by redescribing and incorporating a sense of the past into the present.