Inuit Art Quarterly, vol. 19, no. 2, Summer, 2004, pp. 29-[31]
Description
Exhibition centers around Inuit artists' depictions of scenes which almost exclusively feature tents or igloos, rather than modern structures. Curated by Melanie Evtushenko.
Entire issue on one pdf. To access article, scroll to p. 29.
Journal of the American Institute For Conservation, vol. 34, no. 3, Autumn-Winter, 1995, pp. 187-193
Description
Explores changing factors influencing traditional conservation methods and the role of conservation as it relates to material culture of Native Americans.
Part I: Cultural Protection: The Story of a Saanich Bowl
Articles » Scholarly, peer reviewed
Author/Creator
Diana Henry
University of British Columbia Law Review, Special Issue: Material Culture in Flux: Law and Policy of Repatriation of Cultural Property, 1995, pp. [5]-11
Description
Member of the Saanich Native Heritage Society describes efforts to prevent the sale of an ancient West Coast Saanich bowl to an American dealer, and to have this cultural property returned to their people.
Etudes Inuit Studies, vol. 28, no. 1, Art et représentation / Art and representation, 2004, pp. 161-183
Description
Book reviews of:
Marion Tuu'luq Exhibition Catalogue by Marie Bouchard.
Rankin Indlet Ceramics Exhibition Catalogue by Darlene Wight.
The Jerry Twomey Collection Exhibition Catalogue by Darlene Wight.
Studies in American Indian Literatures, vol. 23, no. 1, Spring, 2011, pp. 130-132
Description
Reviews Contesting Knowledge: Museums and Indigenous Perspectives edited by Susan Sleeper-Smith.
Entire issue on one pdf. To access article scroll down to p. 130.
Part IV: International Repatriation and Protection of Cultural Property
Articles » Scholarly, peer reviewed
Author/Creator
David A. Walden
University of British Columbia Law Review, Special Issue: Material Culture in Flux: Law and Policy of Repatriation of Cultural Property, 1995, pp. [203]-216
Description
Discusses five features of the Act: the establishment of a Export Control List, provision for loans and grants to institutions to purchase items that cannot be exported, establishment of a review board dealing with applications for export permits and certification of property for income tax purposes, establish income tax incentives for donation or sales of objects to designated institutions, and procedures for recovery of property which has been illegally exported.
American Anthropologist, vol. 106, no. 3, New Series, September 2004, pp. 595-599
Description
Review essay of an exhibition, Across Borders: Beadwork in Iroquois Life, that examines the artistic, cultural and political significance of beadwork in both traditional and contemporary Iroquois culture.
Website contains links to brief biographies and a gallery of works from the exhibition. Artists were: Rick Bartow, Kay Walkingstick, Joe Feddersen, Harry Fonseca, Richard Ray Whitman, Hachivi Edgar Heap of Birds, Nora Naranjo-Morse, George Longfish, Shelley Niro, Judith Lowry, Marie Watt, and Jaune Quick-To-See.
Inuit Art Quarterly, vol. 19, no. 3 & 4, Arts Alive: A Special Issue, Fall/Winter, 2004, pp. 9-17
Description
Discusses the significance of the landmark exhibition mounted in 1953 by Gimpel Fils Gallery, London, England.
Entire issue on one pdf. To access article, scroll to p. 9.
Part III: Repatriation and Protection of First Nations Culture in Canada
Articles » Scholarly, peer reviewed
Author/Creator
gii-dahl-guud-sliiaay
University of British Columbia Law Review, Special Issue: Material Culture in Flux: Law and Policy of Repatriation of Cultural Property, 1995, pp. [183]-201
Description
Discusses First Nations' conceptions of cultural property and argues, by using Haida Gwaii examples, that objects should be placed in centres managed and controlled by First Nations, not residing in museums.
Reviews a 2004 exhibition focused on the story of the migration to Moose Jaw after the Battle of Little Bighorn. Originally published in Vie des Arts under the title Dana Claxton: Sitting Bull and the Moose Jaw Sioux.
Eagle Feather News, vol. 14, no. 9, October 2011, p. 18, 19
Description
Looks at a collection of Métis artifacts collected by a Saskatoon couple, with a keen interest in history, relating to the 1885 Resistance and Métis and First Nations people.
Article located by scrolling to page 18 and 19.
Museum Anthropology, vol. 19, no. 2, Fall, 1995, pp. 78-90
Description
Critically addresses the efforts of the National Museum of the American Indian in New York City, with the intent of placing it within the larger cultural discourse on museums, in regard to representations of cultures and their objects.
Douglas Cardinal talks about the issues that arose during construction of the building and the events which ultimately led to termination of his participation in the project.
Duration: 15:59.
Eagle Feather News, vol. 14, no. 4, April 2011, pp. 1-2
Description
Description of a travelling art exhibit, The Recognition of Place: Strength & Endurance of Aboriginal Women, which features eight female leaders, some posthumously.
Article found on pages 1-2.
Inuit Art Quarterly, vol. 10, no. 1, Spring, 1995, pp. 26-36
Description
Review of Exhibition and book:
Isumavut: The Artistic Expression of Nine Cape Dorset Women at the Canadian Museum of Civilization, Hull, Quebec, October 6, 1994 to March 3, 1996.
Inuit Women Artists: Voice From Cape Dorset edited by Odette Leroux, Marion E. Jackson, and Minnie Aodla Freeman.
Entire issue on one pdf. To access article, scroll to page 26.