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Aboriginal Culture Viewed Through Urban Aesthetic
Comments on the exhibition Beat Nation, that expresses freedom from oppression.
Pages 1,3 of insert entitled Raven's Eye: Special Providing News from BC & Yukon. Scanning is out of sequence for this section.
Entire issue on one pdf.
[American Eyes on Aboriginal Art]
Barry Pottle's Photography Explores Inuit Objectification by ID Tags
Beads, they're sewn so tight: Resource Guide
Developed in conjunction with an exhibition featuring works by Bev Koski, Katie Longboat, Jean Marhsall, and Olivia Whetung.
Beyond a Number: Inuit Photo Exhibit Brings Controversial 'Eskimo' I.D. System to Light
Changing Hands 3: CONNECTIONS: Contemporary Native Art in Context
Clan At.óowu in Distant Lands: An Overview of Tlingit Art in European and Russian Museums
Communities of Access: Examining Emerging Geographies of Inuit Art in Canada Through the Lens of the Winnipeg Art Gallery’s Inuit Art Centre and Kenojuak Cultural Centre and Print Shop
Consultation of the Muses
Creating to Compete: Juried Exhibitions of Native American Painting, 1946-1960
Cross-Curricular Connect: Indian Gallery
Disposable Red Woman: Guerrilla Art
Father's Day: The Missing Conversation
"Free Your Mind," from the Series Crazymaking (2007)
George Catlin: American Indian Portraits
Imagi/Nations
INDIANacts: Aboriginal Performance Art
Indians Everywhere: Paul Chaat Smith on "Americans"
The Indigenous Arts Archive: Indigenizing the Spencer Museum of Art’s Database
Indigenous History: A Bibliography
Interview with Curator Ellen Taubman, Changing Hands: Art without Reservation 3, Museum of Arts and Design, New York City
An Interview with Susan Point
Is Canada Postcolonial?: Re-Asking through "The Forgotten" Project
Jeff Thomas at Stephen Bulger Gallery
Jimmie Durham: For the Price of a Magazine
Kent Monkman: A Trickster With a Cause Crashes Canada's 150th Birthday Party
Living Tradition: The Kwakwaka'wakw Potlatch on the Northwest Coast
[Neqamikegkaput / Faces We Remember: Leuman Waugh's Photography from St. Lawrence Island, Alaska, 1929-1930]
Old Punk Rockers Never Die, They Just Do Installation Art: A Profile of Artist Mary Anne Barkhouse
Plains Cree Bonnets
Pop Culture Confronts British Columbia's Colonial History
Raise a Flag: Works from the Indigenous Art Collection (2000-2015): Education Guide
[Rande Cook Studio Visit]
Reflections on Rethink150: Indigenous Truth
The Representation of First Nations Art at the Art Gallery of Ontario
Resilience: Teaching Guide
Developed to accompany the exhibition Resilience which featured Indigenous women artists' works displayed on billboards in inner cities and on highways.
Related material: Project Templates; curatorial essay The Resilient Body by Lee-Ann Martin and her curator's talk.
Robert Houle: enuhmo andúhyaun (the road home)
Secwepemc History: The First 220 Years of Contact
Sequoyah National Research Center
Website is one of the largest repositories of Native American publications including newspaper & periodical collections, manuscripts & special collections. Also includes Dr. J. W. Wiggins Native American Art Collection, SNRC newsletters, links and other research collections.