Inuit Art Quarterly, vol. 25, no. 3, Fall, 2010, pp. 22-26
Description
Curatorial notes for exhibition of same name mounted at the Winnipeg Art Gallery from April 29 to August 1, 2010.
Entire issue on one pdf. To access article scroll to p. 22.
Inuit Art Quarterly, vol. 15, no. 4, Winter, 2000, pp. 43-45
Description
Curatorial notes for an exhibition of the same name mounted at the Head Museum of Native Culture and Art, Arizona, 2000.
Entire issue on one pdf. To access article, scroll to page 43.
Anglican Journal, vol. 126, no. 2, February 2000, p. 1
Description
Canadian Museum of Civilization exhibition includes work by Tsimshian artist Roy Henry Vickers of British Columbia and Inuit printmaker Pudlo Pudlat of Cape Dorset.
American Quarterly , vol. 62, no. 2, June 2010, pp. 387-394
Description
Book reviews of: The National Museum of the American Indian: Critical Conversations edited by Amy Lonetree and Amanda J. Cobb.
Fritz Scholder: Indian/Not Indianedited by Lowery Stokes Sims, Truman T. Lowe and Paul Chaat Smith.
George De Forest Brush: The Indian Paintings edited by Nancy K. Anderson.
Artist's own experiences as a hybrid subject influence her work and represents the reality of most Aboriginal people today. Includes annotated photographs from exhibition.
Inuit Art Quarterly, vol. 15, no. 4, Winter, 2000, pp. 46-47
Description
Curatorial notes for exhibition of the same name mounted at the Carleton University Art Gallery, Ottawa, 2000.
Entire issue on one pdf. To access article, scroll to page 46.
Commercial site of the Tlingit artist. Includes links to the artist's statement, information selected pieces, exhibitions, bibliography of locations of artworks as well as items for sale.
Website developed as part of the exhibition of works by the Coast Salish artist. Contains links to images with brief descriptions, short biography, and resources for further information.
Quarterly magazine published by the Museum of the American Indian, Heye Foundation.
Numerous articles on various topics including one on a shrine to Mother Corn.
Inuit Art Quarterly, vol. 15, no. 4, Winter, 2000, pp. 30-37
Description
Looks at research and collaboration between author and curator for an exhibition involving a stay in Cape Dorset working with the featured women artists.
Entire issue on one pdf. To access article, scroll to page 30.
Inuit Art Quarterly, vol. 25, no. 4, Winter, 2010, pp. 28-30
Description
Discusses exhibition of the same name mounted at the Museum of Inuit Art, February 15 to June 30, 2010.
Entire issue on one pdf. To access article scroll to p. 28.
Inuit Art Quarterly, vol. 25, no. 4, Winter, 2010, pp. 31-33
Description
Brief discussion of exhibition of the same name mounted at the Winnipeg Art Gallery, August 20 to December 5, 2010.
Entire issue on one pdf. To access article scroll to p. 31.
American Indian Quarterly, vol. 34, no. 3, Summer, 2010, pp. 392-394
Description
Book review of: The Land Has Memory: Indigenous Knowledge, Native Landscapes, and the National Museum of the American Indian edited by Duane Blue Spruce and Tanya Thrasher.
Website makes accessible 570 objects, 2600 written documents, 500 black and white photographs and 8 sound recordings from the Shotridge collection featuring southeastern Alaskan Native history and culture.
Inuit Art Quarterly, vol. 15, no. 1, 2000, pp. 40-45
Description
Curatorial notes for exhibition of the same name mounted at the University of Alaska Museum, Fairbanks, 1999.
Entire issue on one pdf. To access issue, scroll to page 42.
Inuit Art Quarterly, vol. 15, no. 2, Summer, 2000, pp. 30-31
Description
Curatorial notes from exhibition of the same name mounted at the Peabody Museum of Archaeology and Ethnology/Tozzer Library, Massachusetts, 2001.
Entire issue on one pdf. To access article, scroll to page 30.
Exhibit held at the National Museum of the American Indian. Curated by Gerald McMaster and co-curated by Arthur Renwick. Features works by: Marianne Nicolson, Shelley Niro, Mateo Romero, Nora Naranjo-Morse, C. Maxx Stevens, Jolene Rickard and Mary Longman.
Lecture discusses the inclusion of modern art in the National Museum of the American Indian, the show Brian Jungen: Strange Comfort, and the artist's use of consumer products in his work.
UBC Undergraduate Journal of Art History, no. 1, November 1, 2010, pp. [1]-11
Description
Discusses the exhibition which consists of twelve signs situated on unceded land on the grounds of the Vancouver Art Gallery and the Point Grey campus of the University of British Columbia.