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Aboriginal and Torres Strait Islander Guidelines for Drama/Theatre Education
Aboriginal Voices: Amerindian, Inuit and Sami Theater
An Accidental Teacher: Anthony Walsh and the Aboriginal Day Schools at Six Mile Creek and Inkameep, British Columbia, 1929-1942
An Act of Attention: Event Structure in "Ceremony"
Adam Beach Introduction in Movie/Play "Kigeet"
Alanis King New Artistic Director at Saskatchewan Native Theatre
Animals and Theme in "Ceremony"
The Baby Blues
Being There: Stage Presence and The Unnatural and Accidental Women
The Bingocentric Worlds of Michel Tremblay and Tomson Highway: Les Belles-Soeurs vs. The Rez Sisters
Looks at the parallels between two plays in terms of the subject matter and the dramatic techniques used. For example, bingo, is used as a symbol and illustration of women's consumerism and of the spiritual emptiness in their lives.
The Book of Jessica: The Healing Circle of a Woman's Autobiography
Discusses a play, The Book of Jessica, that illustrates the struggle women have in understanding what being "a woman" means, including across the barriers of race, culture, privilege and age.
Broadway (Un)Bound: Lynn Rigg's The Cherokee Night
Burning Vision
"Ceremony" as Ritual
Circle of Voices Reveals the Healing Power of Kihew
Circular Design in "Ceremony"
Congress Examines Role of Arts Within Aboriginal Community
Overview of Gordon Tootoosis and Maria Campbell's speeches at the 2007 Congress of the Humanities and Social Sciences. The two speakers talked about the importance of theatre in Aboriginal culture and the hurdles they faced in their careers.
Entire issue on one pdf. To access article scroll to p.25.
Copper Thunderbird by Marie Clements: Study Guide
Cultural Collision and Magical Transformation: The Plays of Tomson Highway
De-Colonizing Bodies : The Treatment of Gender in Contemporary Drama and Film
The Death of a Chief: Watching for Adaptation ; or, How I Learned to Stop Worrying and Love the Bard
The Development of Native American Theatre Companies in the Continental United States
A Discussion of "Ceremony"
The Dynamic Between the Individual and the Community in Selected Native American Performances
The Ecstasy of Rita Joe
Ernestine Shuswap Gets Her Trout
The George Ryga Papers: George Ryga Fonds, Renée L. Paris Fonds, George Ryga & Associates Fonds. An Inventory of the Archive at the University of Calgary Library
Girl Who Loved Her Horses
In a World Created by a Drunken God
In the Heard Museum Art Imitates Life
Interview with Kennetch Charlette
Invisible Indigeneity: First Nations and Aboriginal Theatre in Japanese Translation and Performance
Jani Lauzon
[Marie Clements]
Native Theatre's Curtain Call?
New Stages: Questions for Canadian Dramatic Criticism
On the Road with Tomson Highway's Blues Harmonica in "Dry Lips Oughta Move to Kapuskasing"
Explains how the use of blues, used mainly as an expression of the African-American struggle, is appropriate as an accompaniment to the play Dry Lips Oughta Move to Kapuskasing.
Only Drunks and Children Tell the Truth
Performing Aboriginalities: A Cross-Cultural Perspective
Preface: A Symposium Issue
The Psychological Landscape of "Ceremony"
R3: The Representation of Masculinity in Tomson Highway's Dry Lips Oughta Move to Kapuskasing
Raven Brings Light: A Play
Re-imagining Ethics, Rethinking Rights, and Canadian Adaptations of Shakespeare: Daniel David Moses's Brébeuf's Ghost and the Specters of the Human
Riel Project / Bulletin / du Projet Riel - No.2. - September / Septembre 1979.
Historical note:
The purpose of the Riel project is to publish a critical edition of all the writings of Louis Riel. The edition is to present a printed version faithful to what Riel himself wrote, being "critical" in the sense that errors will be noted, variants recorded, and annotations furnished. In English / French.