American Indian Quarterly, vol. 21, no. 4, Cultural Property in American Indian Literatures: Representation and Interpretation, Autumn, 1997, pp. 703-712
Description
Literary Criticism article which explores the motivations of and the stylistic choices made by Mourning Dove and her collaborator, Lucullus V. McWhorter, in the novel Co-ge-we-a, The Half-Blood: A Depiction of the Montana Cattle Range<.>
American Indian Quarterly, vol. 21, no. 3, Summer, 1997, pp. 423-449
Description
Author explores the stories of the Jigonsaseh (Haudenosaunee Clan Mothers), how these women’s stories have been skewed through the Western lens of ethnography, and how reclamation of these narratives is important in the ongoing reevaluation of women’s social roles.
American Indian Culture and Research Journal, vol. 21, no. 4, 1997, pp. 1-28
Description
Argues that a closer look at humour, in the work of Rowlandson, provides readers with a greater understanding of the Algonquian side of early cross-cultural relations and reveals the ways in which cultural discomfort and disharmony are not rare, but rather integral concepts for early American identity.
Social History of Medicine, vol. 10, no. 3, 1997, pp. 383-400
Description
Discusses European attitudes towards Aboriginal women and the act of giving birth, which had little factual foundation and little understanding of the role of the midwife.
Saskatchewan Indian, vol. 27, no. 1, April 1997, pp. 5, 23-24
Description
Reviews the trial of Steven Kummerfield and Alexander Ternowetsky for the murder of Pamela George of the Sakimay First Nation and questions whether judicial bias was present.
American Indian Quarterly, vol. 21, no. 3, Summer, 1997, pp. 385-407
Description
Author examines three different autobiographies of Indigenous women that were published between the late 1920s and mid 1930s with an eye to the ways that gender influences the construction of the text.
American Indian Quarterly, vol. 21, no. 2, Spring, 1997, pp. 171-193
Description
Literary criticism article that explores the underlying themes at work in the Autobiography of Delfina Cuero. Discusses bi-culturalism, borderlands theory, ethnocriticism, and transculturation.