American Indian Culture and Research Journal, vol. 20, no. 3, Special Issue on The Shadow Catcher: The Uses of Native American Photography, 1996, pp. 111-128
Description
Looks at the Western image of the Native American as determined by photographs.
Examines the domains of science and policy in the context of Aboriginal issues and how film representations of Aboriginal people are linked to media portrayals.
Cultural Anthropology, vol. 11, no. 4, November 1996, pp. 547-576
Description
Investigates the deconstruction of Native American identity, bloodlines, racism, and stereotypes by examining the works of Native American visual artists and authors.
American Indian Quarterly, vol. 20, no. 1, Writing about (Writing about) American Indians, Winter, 1996, pp. 49-55
Description
Author criticizes the ways that History scholars portray Indigenous peoples in their writings with a particular focus on Richard White’s The Middle Ground: Indians, Empires, and Republics in the Great Lakes Region, 1650-1815.
American Indian Culture and Research Journal, vol. 20, no. 4, 1996, pp. 91-119
Description
Deals with problems of identity, especially as a construct imposed upon indigenous peoples. Also examines the identity threshold experience in Silko and Momaday's works.
American Indian Quarterly, vol. 20, no. 1, Writing about (Writing about) American Indians, Winter, 1996, pp. 41-47
Description
Article examines, compares, and critiques different stereotypes of Indigenous peoples that were promoted by social scientists and the tourism and film industries in the late 19th and early 20th centuries.
American Indian Culture and Research Journal, vol. 20, no. 3, Special Issue on The Shadow Catcher: The Uses of Native American Photography, 1996, pp. 65-81
Description
Paper argues that the Navajo never had much, if any, input into their image presentation within photography and discusses the implications of this lack of input.
American Indian Culture and Research Journal, vol. 20, no. 3, Special Issue on The Shadow Catcher: The Uses of Native American Photography, 1996, pp. 93-110
Description
Discusses the duel challenge of photographing Zuni religious ceremonies and how old photos now pose a new set of challenges to museums and archives, namely accessibility, privacy, and artist/owner rights.
Gender & History, vol. 8, no. 1, April 1996, pp. 4-21
Description
Looks at how British culture affected the portrayal of Aboriginal hunters, specifically the buffalo hunters as brave and manly compared to the fishing tribes as being indolent and improvident.
American Indian Culture and Research Journal, vol. 20, no. 3, Special Issue on The Shadow Catcher: The Uses of Native American Photography, 1996, pp. 33-49
Description
Argues that only the views directly expressed by Aboriginal peoples or Indigenous authorities have validity in determining what is, and what is not appropriate, in the cross cultural experience of displaying photographs.