BC Studies, no. 125/126, Spring/Summer, 2000, pp. 147-162
Description
Discusses how Emily Carr's idealized view of First Nations glossed over many of the social problems they faced; and how she chose to share images of what she viewed was the "vanishing" or "disappearing" Indian.
Virtual exhibition deals with contemporary artists' response to past colonization.
Contains links to: Tolerating Tourists, Changing Reservation Realities, School Bells and Haircuts, and Beyond Smoke and Mirrors.