IK: Other Ways of Knowing, vol. 5, June 2019, pp. 41-75
Description
Discusses the traditional knowledge and skills used by Maasai women in their creation of accessories and other handcrafted goods; explores how these skills might be translated into income in both domestic and tourist markets.
American Indian Culture and Research Journal, vol. 43, no. 4, Fraud in Native American Communities: Essays in Honor of Suzan Shown Harjo, 2019, pp. 77-92
Description
Uses the work of the self-proclaimed Osage artist to discuss the way that American culture's definition of "Indianness" allowed her to achieve success but created barriers for other Indigenous female artists.
Focuses on images created by engraver Theodore De Bry, painter Albert Bierstadt, and photographer Edward S. Curtis.
Art Honors Thesis (B.A.), Appalachian State University, 2019.
Lists works written by Indigenous authors published between 2000 and 2018. Focuses on substantial books, articles and book chapters on original primary historical research, research methodology and historiography.
IK: Other Ways of Knowing, vol. 5, June 2019, pp. 76-118
Description
Examines the extent that handicraft products can create income for women in Tanzania; considers issues of seasonal activity, a lack of start-up capital, difficulty obtaining raw materials, and low prices for finished products. Looks at the implications for policy makers wanting to improve the viability of hand crafted products as an income source for rural Tanzanian women.
Exhibit held at the National Museum of the American Indian. Curated by Gerald McMaster and co-curated by Arthur Renwick. Features works by: Marianne Nicolson, Shelley Niro, Mateo Romero, Nora Naranjo-Morse, C. Maxx Stevens, Jolene Rickard and Mary Longman.
AlterNative, vol. 15, no. 2, June 2019, pp. 180-189
Description
Describes an arts based research project which uses graffiti art to make Haudenosaunee symbols and images accessible and relevant for Indigenous youth. Discusses cultural bridging and exchange, decolonization, identity, cultural values, and Indigenous solidarity.
American Indian Culture and Research Journal, vol. 43, no. 4, Fraud in Native American Communities: Essays in Honor of Suzan Shown Harjo, 2019, pp. 41-54
Description
A re-evaluation of Jimmie Durham's work, taking into account the artist's fraudulent claims to Cherokee ancestry and discussion of the implications for scholars, art critics, collectors, and viewers of his works.