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Black Lines, White Spaces: Towards Decoding a Rhetoric of Indian Identity
Building Trust and Accountability: Report on Eligibility in the Indigenous Screen Sector
The Canadian Armed Forces’ Eyes, Ears, and Voice in Remote Regions: Selected Writings on the Canadian Rangers
Changemakers Lesson Plans: Remote Learning
Lesson plans focus on Native Americans who are fighting invisibility and creating change through their work, contributions from the past, and current actions which will impact the future.
Consultation Process: Indigenous Eligibility Requirements for Funding: Final Report
Cultural Resistance and "Playing Indian" in Thomas King's "Joe the Painter and the Deer Island Massacre"
Cyrus Dallin's The Scout: Civic Identity Cast through a Native
Equestrian Monument
Digital Indigeneity: Digital Media's Uses for Identity Formation Education, and Activism by Indigenous People in the Northeastern United States
Digital Tools, Strategic Alliances, and the Protection of Traditional Knowledge
Down in a Valley, Up on a Ridge: Applying a Case Repertoire to Advanced Telecommunications and Rural Developments
An Examination of Communicative Dialectical Tensions and Paradoxes Encountered by Native American Researchers in the Field and in the Academy
Exotic Norths? Representations of Northern Scandinavia in S. H. Kent's Within the Arctic Circle and Bayard Taylor's Northern Travel
Filmmaker, Lawyer, Indian Chief: The Negotiation of Identity in an Indigenous Film Festival
From Noble Savage to Righteous Warrior: [Regenerating and Reinscribing Indigenous Presences]
Imagining Drumbytes and Logging in Powwows: Exploring the Production of Community in Canadian-Based Aboriginal New Media Art
Indian Female Characterization in Larry Watson’s Montana 1948
Indigitalgames and the Representations of Indigenous Peoples beyond Tomahawk and Headdresses
Discusses the use of tropes of the Windigo or mystical in Until Dawn and the warrior in Assissin's Creed.
Joining the Dots: Dreaming a Digital Future for Remote Indigenous Media
The Kuh-Ke-Nah Broadband Governance Model: How Social Enterprise Shaped Internet Services to Accommodate Indigenous Community Ownership in Northwestern Ontario, Canada (Circa 1997 to 2007)
The Layered Literary Existence of the Young Adult Native American Man
The Legacies of Colonization: Apartheid in Small Town British Columbia
Living and Working in the Enchanted Lands: American Indian Tourism Labor, Development, and Activism, 1900-1970
Locating the Resiliency & Survivance in the Cherokee Phoenix
Media, Identity, and International Relations: The Arctic and Inuit in Film and Canada's Arctic Foreign Policy
The Noble Savage and Ecological Indian: Cultural Dissonance and Representations of Native Americans in Literature
One Native Life: Recapitulating Anishnaabeg Identity and Spirituality in a Global Village
Integrated Studies Project (M.A.)--Athabasca University, 2010.
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Putting the ‘Last-Mile’ First: Re-framing Broadband Development in First Nations and Inuit Communities
Remembering the Storm: Indigenous People's Remembrances of Cyclone Tracy Explored Through the Medium of Radio Documentary
Report: False Claims of Indigenous Ancestry: Canada-Wide Survey of Canadians Understanding & Impressions
Reports results of online survey conducted from November 25-27, 2022 with sample of Canadian residents 18 years or older recruited form Leger's Opinion Panel; results were weighted using data from the 2021 Census.
Review Essay: Making Mannequins Mean: native American Representations, Postcolonial Politics, and the Limits of Semiotic Analysis
Structuring Knowledges: Caching Inuit Architecture Through Igloolik Isuma Productions
Teanga & Tikanga: A Comparative Study of National Broadcasting in a Minority Language on Māori Television and Teilifís na Gaeilge
Their Darkest Hour: The Films and Photographs of William Grayden and the History of the 'Warburton Range Controversy' of 1957
The Time Is Now: The Power of Native Representation in Entertainment: Guide for Industry Professionals
Topics include basics, best practices in storytelling and working with Indigenous communities, creating authentic content and using Native talent.