Cross-Border Trading: Mungo Martin Carves for the World of Tomorrow
Articles » Scholarly, peer reviewed
Author/Creator
Leslie Dawn
BC Studies, no. 159, Autumn, 2008, pp. 7-[44]
Description
Argues that the totem poles displayed at the New York World's Fair in 1939 indicated that the production of Northwest coast art had not stopped, as is usually stated, and therefore the "revival" was not as dramatic as it appeared.