American Indian Quarterly, vol. 3, no. 3, Autumn, 1977, pp. 199-208
Description
Examines the cultural and historical relevance of Santee Sioux author Eastman's autobiography and short stories and the criticisms that have been made about their accuracy.
American Indian Culture and Research Journal , vol. 5, no. 1, 1981, pp. 65-80
Description
Presents method of analysis which can be applied to the introductions of a literary genre consisting of an individual's personal narrative being recorded/edited by a non-Indigenous person.
Art History Thesis (Ph.D.)--University of New Mexico, 2017.
Includes biographies of Robert Davidson, Roy Henry Vickers, Marvin Oliver, and Susan Point.
The Canadian Journal of Native Studies, vol. 1, no. 1, 1981, pp. 89-100
Description
Four leaders: Maniilaq, Punginguhk, Uyagaq and Egaq and their influence on maintaining Inuit cultural patterns through creative accommodation to white contact.
File contains 14 negatives of Aboriginal art displayed at the Indian and Metis Friendship Centre, Prince Albert, Saskatchewan, on January 17, 1981. Negatives show a range of artwork; mainly paintings with some other mediums.
Saskatchewan Indian, vol. 7, no. 10, October 1977, pp. 9-10
Description
Jack Beaver, president and chief executive officer of Churchill Falls Labrador Ltd., gives speech to the annual assembly of the National Indian Brotherhood citing the Federation of Saskatchewan Indians as a leader in the area.
Aboriginal & Islander Health Worker Journal, vol. 1, no. 4, December 1977, pp. 16-19
Description
Describes how two Australian Aboriginals completed the Basic Skills Health Course and become part of the team at the Health Centre in a remote community in the Northern Territory.
Saskatchewan History, vol. 34, no. 1, Winter, 1981, pp. 25-35
Description
Provides a sketch of John Thompson’s life in as an employee of the HBC from his departure from Gravesend on the King George(III) in 1789, to his return to Stromness in the Orkneys in 1795.
Entire issue in one .pdf, scroll to page 25.
American Indian Culture and Research Journal, vol. 41, no. 4, 2017, pp. 71-91
Description
Uses correspondence to and from Joseph Brown to explore his personal philosophy and his process of transcribing and editing The Sacred Pipe: Black Elk’s Account of the Seven Rites of the Oglala Sioux