Guide to accompany the virtual exhibit Through the Eyes of the Cree. Organized into four themes containing activities suitable for Kindergarten to Grade 12.
American Indian Quarterly, vol. 29, no. 3/4, Summer, 2005, pp. 478-490
Description
Discusses the lives of both artists and the significance of inclusion of their work at the opening exhibition of the National Museum of the American Indian (NMAI), Washington, D.C.
The Canadian Journal of Native Studies, vol. 28, no. 1, 2008, pp. 1-32
Description
Uses the art of Arthur Renwick as an illustration of the environment, attitudes and efforts to resist colonization of other Aboriginal artists, including Alfred Young Man.
CMAJ: Canadian Medical Association Journal, vol. 174, no. 7, March 28, 2006, pp. 979-982
Description
Discussion of 2006 exhibition entitled Norval Morrisseau: Shaman Artist held at the National Art Gallery of Canada which featured 59 works spanning 1958-2002.
American Indian Culture and Research Journal, vol. 43, no. 4, Fraud in Native American Communities, 2019, pp. 13-24
Description
Uses artist Jimmie Durham and the exhibition Jimmie Durham: At the Center of the World to illustrate the issues connected with Indigenous identity. Jimmie Durham is a self-proclaimed Cherokee artist, whose ethnicity has been challenged by the Cherokee Nation.
Features original paintings by aboriginal artists, inuit sculptures, and traditional crafts and artifacts. Brief artist's biographies are available....
Exhibition dedicated to photographs of Native Americans taken by the Danish photographer in the late 19th century. Includes links to biography, photographs and influences on the images.
Dedicated to the famous Haida sculptor, carver and jeweller. Includes links to biographical notes, Remembering Bill Reid by Barry Herem, quotations by and about Bill Reid and a gallery of some examples of his works.
Canadian Art, vol. 24, no. 2, Summer, 2007, pp. 44-48
Description
Discusses the many themes, including forgiveness, which run through the versatile artist's work and discusses the exhibition held at the University of Saskatchewan entitled Buffalo Boy's Heart On: Buffalo Boy's 100 Years of Wearing His Heart on His Sleeve.
Études Inuit Studies, vol. 29, no. 1-2, Préserver la langue et les savoirs / Preserving Language and Knowledge, 2005, pp. 341-344
Description
Reviews of two books: Yu'pik Elders at the Ethnologisches Museum Berlin: Fieldwork Turned on Its Head by Ann Fienup-Rirodan.
Ciuliamta Akluit: Things of Our Ancestors by Marie Mead and Ann Fienup-Rirodan.
Website contains links to brief biographies and a gallery of works from the exhibition. Artists were: Rick Bartow, Kay Walkingstick, Joe Feddersen, Harry Fonseca, Richard Ray Whitman, Hachivi Edgar Heap of Birds, Nora Naranjo-Morse, George Longfish, Shelley Niro, Judith Lowry, Marie Watt, and Jaune Quick-To-See.
American Quarterly , vol. 62, no. 2, June 2010, pp. 387-394
Description
Book reviews of: The National Museum of the American Indian: Critical Conversations edited by Amy Lonetree and Amanda J. Cobb.
Fritz Scholder: Indian/Not Indianedited by Lowery Stokes Sims, Truman T. Lowe and Paul Chaat Smith.
George De Forest Brush: The Indian Paintings edited by Nancy K. Anderson.
American Indian Culture and Research Journal, vol. 43, no. 4, Fraud in Native American Communities, 2019, pp. 25-28
Description
Discussion of the controversy surrounding the identity of artist Jimmie Durham and the exhibition Jimmie Durham: At the Center of the World. Durham's claims to having Cherokee ancestry are denied by the Cherokee Nation. Author argues that by displaying Durham's works the art establishment may be seen to be substantiating his claims and invalidating tribes' sovereignty over citizenship.
Commercial site of the Tlingit artist. Includes links to the artist's statement, information selected pieces, exhibitions, bibliography of locations of artworks as well as items for sale.
Discusses artist's controversial Indian paintings from 1960s and 70s in exhibition mounted by The National Museum of the American Indian; includes brief biography.
Presents several of the artist's late paintings (1880) that emerged as works of protest. From exhibition mounted at the National Gallery of Art, September 14, 2008 - January 4, 2009.
Website developed as part of the exhibition of works by the Coast Salish artist. Contains links to images with brief descriptions, short biography, and resources for further information.