Monkey Beach
Mothers of Corn: Wixárika Women, Verbal Performances, and Ontology
Murdered and Missing Indigenous Women in Canadian Crime Films
Museums Decolonizing with Holistic Intentionality: Curatorial and Descendant Community Processes
The Native American Lens: Native American Identity Visualized by Native American Directors
Native Narratives, Mystery Writing, and the Osage Oil Murders: Examining Mean Spirit and The Osage Rose
Negotiating Publicity and Persona: The Work of Native Actors in Studio Hollywood
Nemuel Island
Niitsitapi Pi’kssíí (Blackfoot Fancy Beings)
Student guide for art exhibition featuring depictions of animals by Blackfoot artists Ryan Jason Allen Willert and Kalum Teke Dan. Each image is accompanied by a brief description of the animal's territory, habitat, food, and conservation status as well as interesting facts. Includes discussion questions and activities for beginner, intermediate and advanced levels.
Nomadic Nenets Women’s Sewing Skills: The Ethno-Pedagogical Process of Transferring Traditional Skills and Knowledge by Nenets Women through the Generations as Part of Their Nomadic Culture
Northwest Coast: Educator Resource Guide
Lessons structured around items from the Seattle Museum of Art's collection.
Nuuk, Greenland: Site, Situation, and “The Law of the Primate City”
Objets ethnographiques associés aux Inuit du Labrador exhibés en Europe en 1880
Ojibway Nature Center Colouring Book
Each picture is introduced with a story which includes words in the Anishinaabemowin (Ojibway) language.
On the Creation of the Multimedia Project "the Memory of a Settlement", Dedicated to the Genealogy, Oral History, and Photographic Archives of Vupik Families from the Settlement of Novoe Chaplino, Chukotka
Highlights of a the digitization project to preserve the genealogical history of the Novoe Chaplino settlement.
On the Mysterious 1831 Cherokee Manuscript or Jisdu Fixes John Locke’s Two Treatises of Civil Government
On the Variability of Traditional Singing and Incantation Practice of the Chukchi
Looks at the traditional Chukchi personal songs and its use in ceremonies and rituals.
Our War Paint Is Writers' Ink: Anishinaabe Literary Transnationalism
Painting Native America in Public: American Indian Artists and the New Deal
Painting You, Painting Me: Viewing the 'Other' through Gendered-Violence against Indigenous Women and Girls in Kent Monkman's "Shame and Prejudice: A Story of Resilience"
Religion Master's Essay (M.A) -- Queen's University, 2018.
Performing Archive: Curtis + "the vanishing race"
Performing Turtle Island: Indigenous Theatre on the World Stage
Picking Up the Pieces: The Making of the Witness Blanket
Pig Girl: An Indigenous Woman’s Perspective Through “Scriptive Things”
Pocahontas Looks Back and Then Looks Elsewhere: The Entangled Gaze in Contemporary Indigenous Art
Policing Resource Extraction and Human Rights in The Land of the Dead
Politics of Repatriation: Formalizing Indigenous Cultural Property Rights
Planning, Governance, and Globalization Thesis (PhD) -- Virginia Polytechnic Institute, 2018.
Potlatch 67-67: Then and Now
Catalogue for exhibition held to mark the 67th anniversary of the lifting of the Potlatch ban.
Related material: Lesson Plan.
Prairie Families: Cree-Métis-Saulteux Materialities as Indigenous Feminist Materialist Record of Kinship-Based Selfhood
Pre-Occupied
Producing the "Others": The Development of Kraevedenie in Chukotka
Examines kraevedcheskii (local history) museums and how they reflect the Indigenous population.
Promoting and Protecting the Arts and Cultural Expression of Indigenous Peoples: A Compendium Of Experiences And Actions
Qaujimanira: Inuit Art as Autoethnography
In this conference extract the author examines the history of Inuit art noting the ongoing self-representation in the work and argues that this allows for a high level of agency in Inuit art.
“Rather Unusual Stuff”: Nathan Jackson's Early Advent of a Tlingit Modern
"Re-Creation Stories": Re-Presencing, Re-Embodiment, and Repatriation Practices in Leanne Betasamosake Simpson's "How to Steal a Canoe"
Reconciliation: Facilitating Ethical Space between Indigenous Women and Girls of a Drum Circle and White, Settler Men of a Police Chorus
Reconciliation Pole
Red Readings: Decolonization through Native-centric Responses to Non-native Literature and Film
The Red Wall-paper: Reservation Policy, The Dawes Act, and Gilman's Literature of Argument
The REDress Project: Casting an Indigenous Feminist Worldview on Sexual Violence Prevention and Education Programs in Ontario’s Universities (Dispatch)
Remediating the “Famous Indian Artist”: Native Aesthetics beyond Tourism and Tragedy
Remembering Our Indian School Days: The Boarding School Experience: A Landmark Exhibit at the Heard Museum
Examines the 2000 exhibit at the Heard Museum in Phoenix, Arizona.
Repatriation: Empowerment Through (Re)Connection
Repatriation in Two Acts: The Museum of Vancouver
Report on the Impact of Inauthentic Art and Craft in the Style of Frist Nations Peoples
Representations of Missing and Murdered Indigenous Women in Canadian Art
Residential School Gothic and Red Power: Genre Friction in Rhymes for Young Ghouls
Resilience
Rethinking Image and Narrative at the Heart of Empire: Notes from Indigenous London
Presenter discusses how there has been a record of an Indigenous travelers to London dating as far back as 1502, which debunks the common attitude that Indigenous peoples and urbanity and modernity are mutually exclusive.
Duration: 48:36