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[3 Plays: If Jesus Met Nanabush; The Tommy Prince Story; Born Buffalo]
Aboriginal Artists' Rights and Protection: A Study of Australian Law and International Law
Art Law and Arts Management Thesis (MSc) -- International Hellenic University, 2021.
Aboriginal Children's Hurt & Healing (ACHH) Initiative: First Nation Community Health Video
Aesthetics of Indigenous Affinity: Traveling from Chiapas to Palestine in the Murals of Gustavo Chávez Pavón
Alaska Iñupiaq Skin-Sewing Designs: A Portal into Cultural Identity
Cross Cultural Studies Master's Project (M.A) -- University of Alaska Fairbanks, 2018.
The Anthropology Museum in the Post-Colonial Era: A Case Study on How Indigenous, First Nations Communities are Represented at the UBC Museum of Anthropology in Vancouver
Approaches to Healing after a Trauma: Eden Robinson’s Monkey Beach and Tomson Highway’s Kiss of the Fur Queen
Approaching Anxiety: Reading Eden Robinson in an Era of Reconciliation
Archival Photographs in Perspective: Indian Residential School Images of Health
Art and Identity: Secondary Students Discovering a “Sense of Self” Through Creating Artworks and Webpages
Art as a Weapon: The Inverted Gaze in Julius Lips The Savage Hits Back
The Artist Knows Best: The De-Professionalism of a Profession
Artists' Connection 5: Indigenous Perspectives
Teachers' resource uses works by Michael Barber, Carl Beam, Monique (Aura) Bedard, Janice Brant, Deron Ahsén:nase Douglas, Lorrie Gallant, Kelly Greene , Summer Hill, Janus, Nancy King (Chief Lady Bird), Quinn Smallboy and Saul Williams.
An Arts-Based Curriculum Encounter: What Does It Mean to Live on This Land?
Arts-Based Methods for Decolonising Participatory Research
Arts-based Research Methods with Indigenous Peoples: an International Scoping Review
Seham Rabaa
The Arts of Indigenous Health and Well-Being
At the Center of the Controversy: Confronting Ethnic Fraud in the Arts
Bandolier Bag
Barry Pottle's Photography Explores Inuit Objectification by ID Tags
"Basket Becomes Codex: A Poem by Trevino Brings Plenty in the Portland Art Museum"
The Basketmaker
Beads: Symbols of Indigenous Cultural Resilience and Value
Beads, they're sewn so tight: Resource Guide
Developed in conjunction with an exhibition featuring works by Bev Koski, Katie Longboat, Jean Marhsall, and Olivia Whetung.
Being Métis in Canada: An Unsettled Identity
Beyond a Number: Inuit Photo Exhibit Brings Controversial 'Eskimo' I.D. System to Light
Beyond Inclusion: Canadian and Indigenous Sovereignties in Mainstream Museums
Beyond Invisibility: A REDress Collaboration to Raise Awareness of the Crisis of Missing and Murdered Aboriginal Women
Blackfoot Crossing Historical Park and Siksika Nation
Bound for the Fair: Chief Joseph, Quanah Parker, and Geronimo and the 1904 St. Louis World’s Fair
Bridging Past and Present: A Study of Precontact Yup'ik Masks from the Nunalleq Site, Alaska
Broadcasting Sovereignty: Exhibiting Nuxalk Radio at the University of British Columbia
"But They Were Never Only the Master's Tools": The Use of Photography in De-colonial Praxis
Bwaanzhiiwi'onan = Regalia
Colouring book with Ojibwe and English text.
c̓əsnaʔəm, the city before the city: A Conversation
Call Me Angakkuq: Captain George Comer and the Inuit of Qatiktalik
Can Capitalism Be Decolonized? Recentering Indigenous Peoples, Values, and Ways of Life in the Canadian Art Market
Celebrating Indigenous Languages
Challenges in Harnessing Indigenous Knowledge Systems through Creation of Employment for Rural Women in Tanzania: The Case Study of Barabaig Leather Products in Manyara Region
Changing Debates in Museum Studies since NAGPRA
A Chapter Closed?
Chasms and Collisions: Native American Women's Decolonial Labor
Chief Supernatural Being with the Big Eyes
Cinematic Representation of American Indians: A Critical Cultural Analysis of a Contemporary American Indian-Directed Film
Circulating Regalia and Lakhˇóta Survivance, c. 1900
Looks at the history of two examples of regalia that traveled to France; one with a performer in Buffalo Bill's Wild West show in 1889 and the other worn by a performer at the Jardin d'Acclimation (a human zoo) in Paris in 1911.
Closing the Gap: Ethics and the Law in the Exhibition of Contemporary Native Art
Collective Memory in Transition: Macdonald, Cornwallis and Statue Removal in Canada
Art History Thesis (M.A) -- Queen's University, 2019.