Journal of American Folklore, vol. 129, no. 512, Spring 2016, pp. 240-243
Description
Review of an exhibit, featuring more than 50 historical images of Native Americans and about a dozen contemporary photographs, curated by Daniel Kosharek, Diane Bird, and Andrew Smith, mounted at New Mexico History Museum, May 18-November 4, 2012.
Website includes material addressing Native issues and links to art gallery samples, online and print resources, Indian Affairs annual reports, audio and video collections, etc.
Focuses on detective narratives. Discusses Street Wolf by Mark Wayne Harris and Dennis Francis, Skinwalker by Nunzio DeFilippis and Christina Weir, and Scalped by Jason Aaron and R. M. Guéra.
Canadian Theatre Review, vol. 152, Fall, 2012, pp. 5-12
Description
Erika A. Iserhoff, who has been involved in productions such as The Only Good Indian, Omushkego Water Stories Project, and Chocolate Woman Dreams the Milky Way discusses her artistic practice.
National Arts Centre English Theatre Programme for Student Audiences ; 2009-2010 Season
Saqiyuq: Stories from the Lives of Three Inuit Women
Documents & Presentations
Author/Creator
Pamela Levac
Christopher Morris
Description
Includes synopsis of the play, information of Indigenous peoples of the North, the Inuktitut language, Pond Islet, Baffin Island, and an interview with writer/director,
Traces the history of a one-hundred-year-old caribou skin men's dancing garment (kapitaq) from the moment the caribou was killed, through construction of the garment by an Inuinnait woman, its acquisition by the museum, loan to Juliette Gaultier de la Verendrye for use in her stage performances, and finally back to the museum's cold storage.
History research essay towards a Master of Arts.
Political Economy of Communication, vol. 4, no. 1, 2016, pp. 102-125
Description
Focuses on a Toronto-based arts organization which, every summer, produces murals centred on Aboriginal teachings and stories and connected with communities and the local environment.
Transmotion, vol. 2, no. 1-2, November 28, 2016, pp. 5-11
Description
Critical review of a 2014 run of the play Bloody Bloody Andrew Jackson in Minneapolis, Minnesota. Details the ways in which the play promotes racialized language and slurs, misinformation about, and the mistreatment of Indigenous people.