Seachange, The Face-to-Face, Spring, 2010, pp. 51-80
Description
Looks at the history of Native Net, a nation-wide computer based multimedia communication network, and the development of CyberPowWow, an online gallery and chat room produced by the Aboriginal collective Nation to Nation.
Canadian Diversity=Diversity&eaactue; canadienne, vol. 7, no. 3, One Path, Many Directions: The Complex and Diverse nature of Contemporary Aboriginal Reality, Fall, 2009, p. 42
Description
Brief description of project linking research results of Indian and Northern Affairs Canada's Well-Being Index (CBW) to images of living conditions.
Scroll down to page 42 to read article.
Members of the Indigenous artistic community discuss issues such as cultural appropriation, respectful engagement, and the importance of relationships and reciprocity.
Duration: 10:07.
Transcript.
Website for the art and creative writing competition for Indigenous youth. Includes links to past winners' submissions, guidelines for submissions, information about prizing, and section for teachers.
Comments on an appropriate approach to Aboriginal art and the issues of art production, art reception and representation with specific reference to Bush Tomato Dreaming by artist Lucy Ngwarai Kunoth.
Jeunesse: Young People, Texts, Cultures, vol. 11, no. 1, Summer, 2019, pp. i-xxxvi
Description
Focuses on material with self-identified Indigenous creators and publishers published as of March 2019. Divided into anthologies, series, and individual works.
World Literature Today, vol. 83, no. 3, May/June 2009, pp. 47-49
Description
Discusses how American Indians employ visual methods of storytelling to comment on their world. Content based on exhibit from the Museum of Indian Arts and Culture entitled, Comic Art Indigène:Where Comics and the Indigenous Meet
Cultural Preservation for Indigenous Communities through Libraries & Archives
Governance of Cultural Policy Conference
Media » Film and Video
Author/Creator
Deborah Lee
Tasha Hubbard
Carol Greyeyes
Dorothy Myo
Description
Indigenous Studies librarian discusses cultural preservation initiatives; director of Two Worlds Colliding discusses importance of the arts; coordinator of U of S Aboriginal Theatre Program discusses role of collaboration in furthering culture; and president of the Saskatchewan Indian Cultural Centre discusses culture as a way of life.
Duration: 51:11.
Extrapolation, vol. 57, no. 1-2, 2016, pp. 117-150
Description
Discusses how the work of these visual artists participates in Indigenous storytelling about the future by engaging with contemporary artistic practices and mainstream popular culture; author examines the way that the artists challenge Western colonial narratives and stereotypes.
Lists works written by Indigenous authors published between 2000 and 2018. Focuses on substantial books, articles and book chapters on original primary historical research, research methodology and historiography.
IK: Other Ways of Knowing, vol. 5, June 2019, pp. 76-118
Description
Examines the extent that handicraft products can create income for women in Tanzania; considers issues of seasonal activity, a lack of start-up capital, difficulty obtaining raw materials, and low prices for finished products. Looks at the implications for policy makers wanting to improve the viability of hand crafted products as an income source for rural Tanzanian women.
Sociologia & Antropologia, vol. 6, no. 3, December 2016, pp. 581-599
Description
Looks at the beginning of video experiments in the 1980s up unto the start of Indigenous filmmaking in Australia and Indigenous television stations in Canada, Australia, New Zealand and Taiwan.
Transmotion, vol. 5, no. 1, Native American Narratives in a Global Context, July 11, 2019, pp. 184-206
Description
Article works to highlight the diversity of the work being done by Indigenous artists from different communities within the new media arts, but also to explore the partnerships, networks, and practices of solidarity developing within and between these communities.
Uses Jeff Barnaby’s film, File Under Miscellaneous, and SyFy’s series, Helix, to discuss the subtleties inherent in Gerald Vizenor’s concept of “survivance” and Archille Mbembe’s competing logics of “martyrdom and survial.” Considers these as elements of resistance to colonial biopolitics.
A manual to support communities and museums that are in the beginning stages of planning for the return of cultural properties to their home nations in BC and at national and international levels. Includes case study of repatriating Haida ancestral remains.
World Indigenous Nations Higher Education Consortium Journal, p. [?]
Description
2009 Edition contains:
Indigenous Voices, Indigenous Symbols by Rachael Selby.
Matariki - A Symbol of Survival by Hohaia Collier.
Windigo Presence in Selected Contemporary Ojibwe Prose and Poetry by Linda LeGarde Grover.
Māori Symbolism - The Enacted Curriculum by Jamie Lambert.
Who Says I Don't Want to Come to School?
College of Arts and Science (University of Saskatchewan)
Description
Overview of the new course offered using performance training methods to teach Indigenous language skills at the University of Saskatchewan. Uses TPR, total physical response to teach Cree.
Duration: 13:05.
Discusses problems, examples and the options available to communities dealing with issues of ownership, control and access to the cultural heritage of Indigenous peoples.