Seachange, The Face-to-Face, Spring, 2010, pp. 51-80
Description
Looks at the history of Native Net, a nation-wide computer based multimedia communication network, and the development of CyberPowWow, an online gallery and chat room produced by the Aboriginal collective Nation to Nation.
File contains 14 negatives by the Indian and Metis National Cross Cultural Awareness Symposium (presumably in Prince Albert, SK) on April, 28, 1987. The first eleven negatives show First Nations and Metis dancers in traditional garb. The last three show a woman examining a piece of art.
Includes brief article, podcast (7:39) discussing the artist's work, and 17 images of paintings from the exhibitions Fritz Scholder: Indian/Not Indian and Fritz Scholder: An Intimate Look.
Members of the Indigenous artistic community discuss issues such as cultural appropriation, respectful engagement, and the importance of relationships and reciprocity.
Duration: 10:07.
Transcript.
Cultural Preservation for Indigenous Communities through Libraries & Archives
Governance of Cultural Policy Conference
Media » Film and Video
Author/Creator
Deborah Lee
Tasha Hubbard
Carol Greyeyes
Dorothy Myo
Description
Indigenous Studies librarian discusses cultural preservation initiatives; director of Two Worlds Colliding discusses importance of the arts; coordinator of U of S Aboriginal Theatre Program discusses role of collaboration in furthering culture; and president of the Saskatchewan Indian Cultural Centre discusses culture as a way of life.
Duration: 51:11.
Proceedings of Regional Frontiers of Entrepreneurship Research 2008: 5th International Australian Graduate School of Entrepreneurship (AGSE)
E-Books » Chapters
Author/Creator
Theresa Savage
Everarda Cunningham
Description
Paper from Proceedings of Regional Frontiers of Entrepreneurship Research 2008: 5th International Australian Graduate School of Entrepreneurship (AGSE)
Extrapolation, vol. 57, no. 1-2, 2016, pp. 117-150
Description
Discusses how the work of these visual artists participates in Indigenous storytelling about the future by engaging with contemporary artistic practices and mainstream popular culture; author examines the way that the artists challenge Western colonial narratives and stereotypes.
Sociologia & Antropologia, vol. 6, no. 3, December 2016, pp. 581-599
Description
Looks at the beginning of video experiments in the 1980s up unto the start of Indigenous filmmaking in Australia and Indigenous television stations in Canada, Australia, New Zealand and Taiwan.
Uses Jeff Barnaby’s film, File Under Miscellaneous, and SyFy’s series, Helix, to discuss the subtleties inherent in Gerald Vizenor’s concept of “survivance” and Archille Mbembe’s competing logics of “martyrdom and survial.” Considers these as elements of resistance to colonial biopolitics.
College of Arts and Science (University of Saskatchewan)
Description
Overview of the new course offered using performance training methods to teach Indigenous language skills at the University of Saskatchewan. Uses TPR, total physical response to teach Cree.
Duration: 13:05.
For Access to Article, Scroll Down to Page 9.
Comments on a study undertaken by Marie Clements, on behalf of the Theatre Section of the Canada Council for the Arts, which reviewed 10 years of financial support for Aboriginal theatre.
Discusses how the artist uses parody in his works by painting in the style of Kane and Catlin but introducing subject matter that challenges the stereotypes they depict.
Discusses problems, examples and the options available to communities dealing with issues of ownership, control and access to the cultural heritage of Indigenous peoples.
Interview with artistic director of Saskatchewan Native Theater Company. Program teaches students culture, life skills, career management and preforming arts.
Duration: 13:17.
[Kaahsinnooniksi Ao'toksisawooyawa: Our Ancestors Have Come to Visit: Reconnections with Historic Blackfoot Shirts]
Documents & Presentations
Author/Creator
Deborah Magee Sherer
Description
Lesson plan developed in conjunction with exhibition of Blackfoot shirts loaned from the Pitt Rivers Museum, University of Oxford, to the Glenbow and Galt Museums in Alberta.
Suitable for ages 12 and up.