From Cultural Salvage to Brokerage: The Mythologization of Mungo Martin and the Emergence of Northwest Coast Art
Articles » Scholarly, peer reviewed
Author/Creator
Aaron Glass
Museum Anthropology, vol. 29, no. 1, March 2006, pp. 20-43
Description
Discusses role the noted carver and restorer of totem poles played in the in the acquisition of objects for its collection at the Museum of Anthropology, University of British Columbia.