The Discourse of Authenticity in Canadian Aboriginal Art
Disposable Red Woman: Guerrilla Art
The Distant Beat of My Father’s Drums: Contemporary Aboriginal Music and NCI-FM Broadcasting, Manitoba, Canada
"Do Not Park Bicycles!": America Meredith, Dylan Miner, Tania Willard, Terri Saul, Yatika Fields
Do You Recognize Who I Am? Decolonizing Rhetorics in Indigenous Rock Opera Something Inside is Broken
The Dog Child Site (FbNp-24): A 5500 Year-Old Multicomponent Site on the Northern Plains
"Don't Even Talk to Me if You're Kinya'áanii [Towering House]": Adopted Clans, Kinship, and "Blood" in Navajo Country
The Double Entendre of Re-Enactment
Dreaming an Identity Between Two Cultures: The Works of Alootook Ipellie
Dreaming in Motion: Celebrating Australia's Indigenous Filmmakers
A Drum in One Hand, a Camera in the Other: Contemporary Aboriginal Winter Life - A Photographic Essay
Drum Nation
A Drum Speaks: A Partnership to Create a Digital Archive Based on Traditional Ojibwe Systems of Knowledge
The Dynamism and Transformation of "Tradition": Factors Affecting the Development of Powwows in Southwestern Ontario
E.-A.: Freestyle Looming and Probability: Grade 12 Foundations of Math
Teacher-created lesson plan developed in conjunction with the McDowell Foundation project Culture-Based School Mathematics for Reconciliation and Professional Development.
E-D.1: Multiplication and First Nations Drumming
Teacher-created lesson plan developed in conjunction with the Stirling McDowell Foundation project Culture-Based School Mathematics for Reconciliation and Professional Development
E-D.2: Quadrilateral Patterning through Indigenous Beading: Grade 5
Teacher-created lesson plan developed in conjunction with the McDowell Foundation project Culture-Based School Mathematics for Reconciliation and Professional Development.
Early 19th Century Men's Southeast Moccasins in the Creek Style
Early Masters: Inuit Sculpture 1949-1955
Eastern Cherokee Creation and Subsistence Narratives: A Cherokee and Religious Interpretation
Echoes From the Past: Prehistoric Archaeology in Quebec
The Economics of Cultural Misrepresentation: How Should the Indian Arts and Crafts Act of 1990 be Marketed?
The Ecstasy of Rita Joe
Edgar Heap of Birds
Edward E. Ayer Digital Collection (Newberry Library): [North American Indians]
Eekwol Has No Intention of Leaving the Hip Hop Genre
Elucidating Abstract Concepts and Complexity in Louise Erdrich's Love Medicine Through Metaphors of Quilts and Quilt Making
Embodying the Screen: Body and Identity in Aboriginal Cinemas
Equality Rights Proponent Was an Accomplished Artisan
Chronicles the life and works of Horton First Nation Chief Rita Smith.
Entire issue on one pdf. To access article scroll to p.30.
Ernestine Shuswap Gets Her Trout
Ernestine Shuswap Gets Her Trout
Eugenics as Indian Removal: Sociohistorical Processes and the De(con)struction of American Indians in the Southeast
An Examination of Selected Piano Works by Francisco Mignone, Lorenzo Fernandez and Marlos Nobre Using the Corresponding Brazilian Dances as a Guide to Their Performance
Examining the Gathering of Nations Powwow and a NCCA Division I Basketball Game
Excellence Through Cognizance: Native American Art and Spirituality
Expanding Interpretations of Native American Women's History
An Exploration of Crime Prevention Among Indigenous Youth Who Utilize the Services of the Saskatoon Youth Arts Programming (SCYAP)
The Exploration of Northwest Coast Indian Art, 1774-2003
Exploring Aboriginal History in the Fraser Valley
Exploring Autism and Music Interventions through a First Nations Lens
Exploring International Repatriation between U.S. Museums and First Nations in Canada
Exploring the Connection Between Aboriginal Women's Hand Drumming and Health Promotion (Mino-Bimaadiziwin)
Exploring the Relocation Experiences of Female Indigenous Youth in Foster Care through Storywork
Eye Contact: Photographing Indigenous Australians
The Fabric of Basketry: Initial Archaeological Study of the Grass Artifacts Assemblage from the Nunalleq Site, Southwest Alaska
Highlights the excavation of grass artifacts near Quinhagak, Alaska and what they can reveal about the precontact Yup'ik people.