Shamans, Mythmakers and Imagined Places: Central Asia at the 51st Venice Biennale
Smudge
Something New in the Air: The Story of First Peoples Television Broadcasting in Canada
Songhees Pictorial: A History of the Songhees People as Seen by Outsiders, 1790-1912
The Space between Us: Exploring Colonization and Injustice through Red: A Haida Manga
Spirit of the Colleges, Voice of the People: Students Share Pain, Hope Through Art
Spirit Wind Women's Hand-Drum Group
Standing Strong Task Force Report & Recommendations: Acknowledging the Past, Learning form the Present, Looking to the Future
Subversive Humour: Canadian Native Playwrights' Winning Weapon of Resistance
Tagging, Rapping and the Voices of the Ancestors: Expressing Aboriginal Identity between the Small City and the Rez
The Task Force on Museums and First Peoples, a Decade Later: A Case Study of the McCord Museum of Canadian History
Teacher Resource Guide for Grades 9-12: Learn About Community & Land Stewardship through the Art of Pitseolak Ashoona
Pitseolak Ashoona is a renowned Inuk artist from Nunavut.
Designed to complement the book Pitseolak Ashoona: Life and Work.
Teacher Resource Guide for Grades 9-12: Learn about Land & Indigenous Worldviews through the Art of Norval Morrisseau
Includes biography, discussion of artist's style and techniques learning activities, and image file. Designed to complement Norval Morrisseau: Life and Work by Carmen Robertson.
Teaching with and about the Ivory Art from Chukotka and the Bering Strait
Examines the contemporary practices of craving and engraving walrus ivory.
"This Ain't Dances with Salmon": Native American Tropes in Dime Novels and Western Film Referencing Dances with Wolves
Tim Schouten
Tom Benner
Totems to Turquoise
Touring an Other's Reality: Aboriginals, Immigrants, and Autochromes
Tradition, Design, Color: Plateau Indian Beaded Bags from the Fred Mitchell Collection: A Temporary Exhibit of the Montana Historical Society
Exhibition catalogue.
Educational materials for Grades 4 and 5: PowerPoint; Lesson Plan, PowerPoint Script; Worksheet.
Traditional Alaska Transition Skills: Introduction to Traditional Carving
Designed to give teens and young adults with disabilities an improved quality of life, connection to culture and increased work-related skills.
Transitions: [Contemporary Canadian Indian and Inuit Art]
Trickster in Contemporary Native Art and Thought: The Indigenous Cultural Language of Bob Haozous
Trickster in Contemporary: The Indigenous Cultural Language of Bob Haozous
Trickster's Turn: New Books on Bill Reid
Tricksters in the Press
Unmasking the Mouse: Cultural Appropriation in Disney Films
Urban Regalia: An Exhibition in Two Parts: Exhibition Catalogue
Ute Leaders, 1868: Photographs Courtesy of the National Anthropological Archives, Smithsonian
A Visual Autobiography: The Self-Portraits of Carl Beam
Visual Power: 21st Century Native American Artists/Intellectuals
Curator's overview of exhibition of the same name. Discusses the work of selected artists, including Norman Akers, George Longfish, Gail Tremblay, Edgar Heap of Birds, Duane Slick, and Nadema Agard.
Joint issue with: Indigenous Studies Today Issue 1, Spring 2006.
Voices in the Era of Silents: An American Indian Aesthetic in Early Silent Film
Voices of the Land: Indigenous Design and Planning from the Prairies
Waskawewin
The Waters of Venice: Rebecca Belmore at the 51st Biennale
The Way of Inuit Art: Aesthetics and History in and Beyond the Arctic
What Native Looks Like Now: Embodiment in Contemporary Indigenous Art, 1992–Present
History of Art and Architecture Thesis (PhD) -- University of Pittsburgh, 2021.
When Black Lives Matter Meets Indian Country: Using the Cherokee and Chickasaw Nations as Case Studies for Understanding the Evolution of Public History and Interracial Coalition
"Where Are All the Great Collections of Contemporary Native American Art?"
Where the Ancestors Walked: Australia as an Aboriginal Landscape
"Where the Light Comes Through": A Commission in Stained Glass by Kenojuak Ashevak
Who Holds the Frame?: Language as Representation in the Art of Emmi Whitehorse and Maria Hupfield
Who is artinjun.ca?
"Why Cheyenne?"
William Barak and the Affirmation of Tradition
Working in Whitehorse
Working with and for Ancestors
Pagination
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