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Recovering Aboriginal Cultural Property at Common Law: A Contextual Approach
Recovering From Colonization: Perspectives of Community Members on Protection and Repatriation of Kwakwaka'wakw Cultural Heritage
Recovering Ritual: A Brief Comparison of the Ancient Greek Oresteia and the Apache Na’ii’ees as Performance
Red Sky Presents Sun Spirits: Caribou Song and Raven Stole the Sun: Study Guide
Reel Artists: National Film Board of Canada Portrayals of Contemporary Aboriginal and Inuit Artists and Their Art
Refiguring Indian Blood Through Poetry, Photography, and Performance Art
A Regional Profile of Non-Timber Forest Products Being Harvested from the Cariboo-Chilcotin, British Columbia Area
Remembering Saumik: James Houston 1921-2005
Repertoires for Supporting Sovereignty: The Protocols for Native American Archival Materials and Dance Information in Vancouver
The Responsibility of Performance: The Interweaving of Politics and Aesthetics in Intercultural Contexts
Reviews
Reviews
[Roland Cotton's Interview on the Unique History of Blackfoot Dance]
Sacred Salmon Film Wins National Acclaim for SKC
Saputik Cultural Centre: Resuscitating POV
Saskatchewan Indigenous Cultural Centre
The centre provides resources to assist First Nations peoples in preserving their culture. Services include training materials, online collections of images and text, a library, and a museum.
"Saskatchewan Native Theatre Company"
Historical note:
Saskatchewan Native Theatre Company was formed in 1999 in Saskatoon. They feature original work by Saskatchewan Aboriginal artists. For more information go to www.sntc.caSecond Skins: Semiotic Readings in Taxidermic Reconstruction
Selections from the Lowell Schoenfeld and Josphine Mitchell Collection of Inuit Sculpture
Shamans, Mythmakers and Imagined Places: Central Asia at the 51st Venice Biennale
Smudge
Something New in the Air: The Story of First Peoples Television Broadcasting in Canada
Songhees Pictorial: A History of the Songhees People as Seen by Outsiders, 1790-1912
The Space In-Between Cultures: Site-Specific Meeting Places of Indigenous and European Knowledges
Art History Thesis (BA) -- University of British Columbia, 2020.
Spirit of the Colleges, Voice of the People: Students Share Pain, Hope Through Art
Spirit Wind Women's Hand-Drum Group
Stitching Ourselves Back Together: Urban Indigenous Women’s Experience of Reconnecting with Identity Through Beadwork
Subversive Humour: Canadian Native Playwrights' Winning Weapon of Resistance
Tagging, Rapping and the Voices of the Ancestors: Expressing Aboriginal Identity between the Small City and the Rez
Tah'lum Indigenous Artist Collective Colouring Book: Volume 1: Michif and Lekwungen
The Task Force on Museums and First Peoples, a Decade Later: A Case Study of the McCord Museum of Canadian History
Theatre of Regret: Literature, Art, and the Politics of Reconciliation in Canada
The Theft of Culture and Inauthentic Art and Craft: Australian Consumer Law and Indigenous Intellectual Property
Law Thesis (MP) -- Queensland University of Technology, 2020.
Tim Schouten
Tom Benner
Totems to Turquoise
Touring an Other's Reality: Aboriginals, Immigrants, and Autochromes
Tradition, Design, Color: Plateau Indian Beaded Bags from the Fred Mitchell Collection: A Temporary Exhibit of the Montana Historical Society
Exhibition catalogue.
Educational materials for Grades 4 and 5: PowerPoint; Lesson Plan, PowerPoint Script; Worksheet.
Traditional Alaska Transition Skills: Iñupiaq Sewing Skills
Designed to give teens and young adults with disabilities an improved quality of life, connection to culture and increased work related skills.
Transitions: [Contemporary Canadian Indian and Inuit Art]
Trickster in Contemporary Native Art and Thought: The Indigenous Cultural Language of Bob Haozous
Trickster in Contemporary: The Indigenous Cultural Language of Bob Haozous
Trickster's Turn: New Books on Bill Reid
Tricksters in the Press
Ute Leaders, 1868: Photographs Courtesy of the National Anthropological Archives, Smithsonian
Vietnam Akíčita: Lakota And Dakota Military Tradition In The Twentieth Century
History Thesis (PhD) -- University of Minnesota, 2020.
A Visual Autobiography: The Self-Portraits of Carl Beam
Visual Power: 21st Century Native American Artists/Intellectuals
Curator's overview of exhibition of the same name. Discusses the work of selected artists, including Norman Akers, George Longfish, Gail Tremblay, Edgar Heap of Birds, Duane Slick, and Nadema Agard.
Joint issue with: Indigenous Studies Today Issue 1, Spring 2006.