Red Sky Presents Sun Spirits: Caribou Song and Raven Stole the Sun: Study Guide
Red: The Eiteljorg Contemporary Art Fellowship
Reel Artists: National Film Board of Canada Portrayals of Contemporary Aboriginal and Inuit Artists and Their Art
Refiguring Indian Blood Through Poetry, Photography, and Performance Art
Reflections on Rethink150: Indigenous Truth
A Regional Profile of Non-Timber Forest Products Being Harvested from the Cariboo-Chilcotin, British Columbia Area
Remote Avant-Garde: Aboriginal Art under Occupation
Repatriation Handbook: A Guide to Repatriating Australian Aboriginal and Torres Strait Islander Ancestral Remains
Repertoires for Supporting Sovereignty: The Protocols for Native American Archival Materials and Dance Information in Vancouver
Residential Schools and "Reconciliation" in the Media Art of Skeena Reece and Lisa Jackson
A Resource for the Edward S. Curtis Collection at the Art Gallery of Ontario
The Responsibility of Performance: The Interweaving of Politics and Aesthetics in Intercultural Contexts
Reviews
Reviews
The Road Forward
Musical documentary traces Indigenous rights activism from the founding of the Indian of Brotherhood of B.C. in the 1930s to the present day. Duration: 1:41:00.
[Roland Cotton's Interview on the Unique History of Blackfoot Dance]
Rumble: The Indians Who Rocked the World
Documentary looks at the little-known story of Indigenous influences on and contributions to the evolution of contemporary rock and blues music. Artists profiled include Charley Patton, Mildred Bailey, Link Wray, Jesse Ed Davis, Stevie Salas, Buffy Sainte-Marie, Robbie Robertson, Randy Castillo, Jimi Hendrix, and Taboo.
Sacred Salmon Film Wins National Acclaim for SKC
Saskatchewan History - The First Peoples: Plains First Nations
Saskatchewan Indigenous Cultural Centre
The centre provides resources to assist First Nations peoples in preserving their culture. Services include training materials, online collections of images and text, a library, and a museum.
"Saskatchewan Native Theatre Company"
Historical note:
Saskatchewan Native Theatre Company was formed in 1999 in Saskatoon. They feature original work by Saskatchewan Aboriginal artists. For more information go to www.sntc.caScreen Text and Institutional Context: Indigenous Film Production and Academic Research Institutions
Second Skins: Semiotic Readings in Taxidermic Reconstruction
Seneca Art and Culture Center at Ganondagan State Historic Site
The Sense of a Better Ending: Legal Pluralism and Performative Jurisprudence in Atanarjuat the Fast Runner
Settler Colonial Ways of Seeing: Documentary Governance of Indigenous Life in Canada and Its Disruption
Shamans, Mythmakers and Imagined Places: Central Asia at the 51st Venice Biennale
Shaping Indigenous Identity: The Power of Music
Indigenous Studies Thesis (MPhil) -- UiT Arctic University of Norway, 2017.
Showing and Telling the Story of Nikis (My Little House): An Arts-Based Autoethnographic Journey of a Cree Adult Educator
Shuvinai Ashoona: Life & Work
Smudge
The Social Life of Sound: Urban Indigenous Youth, Hip Hop and Hardcore
Something New in the Air: The Story of First Peoples Television Broadcasting in Canada
Songhees Pictorial: A History of the Songhees People as Seen by Outsiders, 1790-1912
Southern Cheyenne Style Moccasins: Bob Gurney's Moccasins Revisited
Sovereign Acts II
Curatorial essay which accompanied exhibition of the same name.
The Space In-Between Cultures: Site-Specific Meeting Places of Indigenous and European Knowledges
Art History Thesis (BA) -- University of British Columbia, 2020.
Spirit of the Colleges, Voice of the People: Students Share Pain, Hope Through Art
Spirit Wind Women's Hand-Drum Group
Staying in Place: Plains Metis Borderland Communities, 1885-1930
Stepping Out of the Shadows of Colonialism to the Beat of the Drum: The Meaning of Music for Five First Nations Children with Autism in British Columbia
Stitching Ourselves Back Together: Urban Indigenous Women’s Experience of Reconnecting with Identity Through Beadwork
Stranger than Fiction: The Creation of Two Short Theatre of the Real Plays about Closed Stranger Adoption in Aotearoa
Stress, Emotions, and Motivational States Among Traditional Dancers in New Zealand and Japan
Strong Hearts, Wounded Souls Revisited: The Research, the Findings, and Some Observations of Recent Native Veteran Readjustment
Subversive Humour: Canadian Native Playwrights' Winning Weapon of Resistance
Survivance, Signs, and Media Art Histories: New Temporalities and Productive Tensions in Dana Claxton’s Made To Be Ready: A Review Essay
Susan Point: Spindle Whorl: Teacher's Study Guide
Although designed to accompany class visit to an exhibition of the Musqueam artist's work, can be used alone.