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Cultural imPRINT: A History of Northwest Coast Native and First Nations Prints
Culture Warriors: Education and Awareness at the Inaugural National Indigenous Art Triennial, organized by National Gallery of Australia, 2007-2009.
Curatorial Practice in Anthropology: Organized Space and Knowledge Production
Curiosity, Cabinets, and Knowledge: A Perspective on the Native American Collection of the Peabody Essex Museum
Custodians of the Past: Archaeology and Indigenous Best Practices in Canada
Cyrus Dallin's The Scout: Civic Identity Cast through a Native
Equestrian Monument
Dana Claxton, The Mustang Suite and Hybrid Humour
Dance and the Rodeo: Partners at the Party
Dance of the Loon: Symbolism and Continuity in Copper Inuit Ceremonial Clothing
Dance With Us As You Can ... : Art, Artist, and Witness(ing) in Canada's Truth nd Reconciliation Journey
"Dance Your Style!": Towards Understanding Some Cultural Significances of Pow Wow References in First Nations' Literatures
Dancing Power: Examining Identity Through Native American Powwow
Deaconess Winifred Hilliard and the Cultural Brokerage of the Ernabella Craft Room
Debating Cultural Appropriation
Lesson plan focuses on what cultural appropriation is, how it affects Indigenous peoples and whether it should be regulated by law.
Accompanying Material: Student Version.
Developed in conjunction with the documentary Rumble: The Indians Who Rocked the World.
Decolonization through Collaborative Filmmaking: Sharing Stories from the Heart
Defining the Native: Local Print Media Coverage of the NMAI
Delicious Resistance, Sweet Persistence: First Nations Culinary Arts in Canada
Designing, Producing and Enacting Nationalisms: Contemporary Amerindian Fashions in Canada
The Developmental Support to Aboriginal Theatre Organizations: Study
Dialogue- Assimilation- Subversion: Contemporary New Media Native Art in Canada
DIAMA: Digitizing the Inuit and Aboriginal Media Archive
The Digital Biography of Things: A Canadian Case Study in Digital Repatriation
Disconnected in Mexico
Experiences of an Inuit artist performing at a Canadian food festival held in a Chinese restaurant in Mexico City.
Discursive and Mediatic Battles in Thomas King's Green Grass, Running Water
Discussing Portraiture, Representation and the Social Consequences of Photography: A Photographic Conversation Between Jeff Thomas and Edward S. Curtis
Dismantling the Master's House: The Feminist Fourth Cinema Documentaries of Alanis Obomsawin and Loretta Todd
Disposable Red Woman: Guerrilla Art
Don Amero - [Windspeaker Confidential]
Interview with Métis acoustic musician Don Amero.
Entire issue on one pdf. To access article scroll to p.19.
The Double Movements That Define Copyright Law and Ingenious Art in Australia
Double Take: Contesting Time, Place, and Nation in the First Peoples Hall of the Canadian Museum of Civilization
Droppin' Conscious Beats and Flows: Aboriginal Hip Hop and Youth Identity
Early 19th Century Men's Southeast Moccasins in the Creek Style
Early 20th Century Photography of Australian Aboriginal Families: Illustration or Evidence?
Economic Impact Study: Nunavut Arts and Crafts: Final Report
Ed Peekeekoot: Musician, Artist, Visionary
Edgar Heap of Birds
Effigy Pipes, Diplomacy, and Myth: Exploring Interaction Between St. Lawrence Iroquoians and Eastern Iroquois in New York State
Embracing My Identity: Reflections on Jorge González Camarena's Painting El Abrazo
Entrelacs: Ontologie Métisse et Poïétique Dialogique
Entrepreneur Gets Hand Up From Dragons
Introduction to Quemeez, a handmade baby moccasin-making company, and the entrepreneurial story behind them.
Entire issue on one pdf. To access article scroll to p.20.
Entwined Histories: The Creation of the Maisie Hurley Collection of Native Art
Eskimo Drawings
The Evolution of Beaded Baskets
Exhibiting Dual(ling) Narratives of Canadian Art at the Art Gallery of Ontario
Exhibition Review: The National Museum of the American Indian
Overview of museum which opened its doors on September 21, 2004 and contains over 800,000 objects. Joint issue with: Indigenous Studies Today Issue 1, Spring 2006.