Aboriginal and Islander Health Worker Journal, vol. 28, no. 5, September/October 2004, pp. 13-14
Description
Report on the annual National Aboriginal and Islanders Day Observance Committee (NAIDOC) celebrations at The Park - Centre for Mental Health in Queensland, Australia.
Art Contemporain Amérindien: Trois Portraits d'Artistes Sans Masque
Articles » Scholarly, peer reviewed
Author/Creator
Gérard Selbach
Revue LISA/LISA e-journal, vol. 2, no. 6, Arts and American Minorities: An Identity Iconography?, 2004, pp. 47-63
Description
Divides artists into three categories: those who produce traditional works, those who make reference to contemporary political issues, and a third group who want to appeal to a broader audience and resist stereotypes.
American Anthropologist, vol. 106, no. 3, New Series, September 2004, pp. 595-599
Description
Review essay of an exhibition, Across Borders: Beadwork in Iroquois Life, that examines the artistic, cultural and political significance of beadwork in both traditional and contemporary Iroquois culture.
Website contains links to brief biographies and a gallery of works from the exhibition. Artists were: Rick Bartow, Kay Walkingstick, Joe Feddersen, Harry Fonseca, Richard Ray Whitman, Hachivi Edgar Heap of Birds, Nora Naranjo-Morse, George Longfish, Shelley Niro, Judith Lowry, Marie Watt, and Jaune Quick-To-See.
American Quarterly , vol. 62, no. 2, June 2010, pp. 387-394
Description
Book reviews of: The National Museum of the American Indian: Critical Conversations edited by Amy Lonetree and Amanda J. Cobb.
Fritz Scholder: Indian/Not Indianedited by Lowery Stokes Sims, Truman T. Lowe and Paul Chaat Smith.
George De Forest Brush: The Indian Paintings edited by Nancy K. Anderson.
Decolonization, vol. 3, no. 1, Indigenous Art, Aesthetics and Decolonial Struggle, 2014, pp. 48-72
Description
Examines how an Inuit photographer and filmmaker have attempted to dispel common stereotypes about the Inuit people and preserve and enhance Inuit culture.
Book review of: Country of the Heart by Deborah Bird Rose with Nancy Daiyi, Kawthy Deveraux, Margaret Daiyi, Linda Ford and April Bright.
Scroll down to page 193 to read review.
Presents a selection of papers presented April 29-30, 2009, Faculty of the VCA and Music, The University of Melbourne about the business of Indigenous performing arts, its history and its future.
Whispering Wind, vol. 42, no. 5, Issue 291, May 2014, p. 24
Description
Author and judge for the National Craft Competition highlights the importance of Native American craftwork as a link to the past as well as its use in ceremonies and dress.
Studies in American Indian Literatures, vol. 26, no. 3, Fall, 2014, pp. 41-61
Description
Analysis of genre which manipulates Japanese manga and Haida art to reflect a balance in both art and life.
Entire issue on one pdf. To access article, scroll to page 41.
Inuit Art Quarterly, vol. 19, no. 3 & 4, Arts Alive: A Special Issue, Fall/Winter, 2004, pp. 9-17
Description
Discusses the significance of the landmark exhibition mounted in 1953 by Gimpel Fils Gallery, London, England.
Entire issue on one pdf. To access article, scroll to p. 9.
Canadian Literature, no. 182, Black Writing in Canada, Autumn, 2004, pp. 183-185
Description
Book reviews of:
For Joshua: An Ojibway Father Teaches His Son by Richard Wagamese.
The Setting Lake Sun by J. R. Lévillé.
The Great Gift of Tears by Heather Hodgson.
Inuit Art Quarterly, vol. 27, no. 3, Fall, 2014, pp. 16-17
Description
Discusses the responsibility of the art collector to source out the history of the piece.
Entire issue on one pdf. To access article, scroll to page 16.
Reviews a 2004 exhibition focused on the story of the migration to Moose Jaw after the Battle of Little Bighorn. Originally published in Vie des Arts under the title Dana Claxton: Sitting Bull and the Moose Jaw Sioux.
Artist's own experiences as a hybrid subject influence her work and represents the reality of most Aboriginal people today. Includes annotated photographs from exhibition.
Canadian Theatre Review, vol. 159, Summer, 2014, pp. 30-37
Description
Interviews two artists that combine emerging technologies with their art and are also featured in the Kanata Indigenous Performance New and Digital Media Art Project.