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Developing Indigenous Visual Arts Transnationally and Across Genres
Discussion Papers [Destinations December 1-3, 2003]
A Dissonant Education: Marching Bands and Indigenous Musical Traditions at Sherman Institute, 1901–1940
Doctoring Divinity: Trickster, Jim Logan and the Classical Canon
Drawing Identities: An Ethnography of Indigenous Comic Book Creators
Duck Lake, Aug. 2003 - Slides.
Historical note:
Early Ivories from Cape Dorset: Part IV of Historic Ivories at the Canadian Museum of Civilization
[Edward S. Curtis's Photographs: Post-Modernism, Re-enactment, and Contextual Value]
Embodiments of Power: Nineteenth-Century Warrior Art Among the Cheyennes and Kiowas
Emerging from the Mist: Studies in Northwest Coast Culture History
Emerging Voices: An Analysis of Subarctic Aboriginal Basketry
Engaged Resistance in American Indian Art, Literature and Film
The Essay: Decolonizing History Painting
Excerpt from Revision and Resistance: mistikôsiwak (Wooden Boat People) at The Metropolitan Museum of Art discusses the diptych created by Kent Monkman.
The Ethical Space of Engagement Between Indigenous Women and Girls of a Drum Circle and White, Settler Men of a Police Chorus: Implications for Policing Ideology, Policies, and Practices
Exhibiting Aboriginal Industry: A Story Behind a 'Re-Discovered' Bark Drawing From Victoria
Exhibits of Truth and Reconciliation: Creating Empathetic Spaces for Indigenous Narratives in Canada
First Nations People Mining the Museum: A Case Study of Change at the Glenbow Museum
Follow the Drum
Highlights Gerald Okanee, lead singer of Saskatchewan's Big Bear Singers, who shares his knowledge about the drum and how the beat pits the powwow dancer's style against that of the the drummer's, sometimes "bucking off" the dancer.
Entire issue on one pdf. To access article scroll to p.19.
Framing Representation: An Ethnographic Exploration of Visual Sovereignty and Contemporary Native American Art
Framing the West: Race, Gender, and the Photographic Frontier in the Pacific Northwest
Frank Shebageget: Quantification
From Pejuta To Powwow: The Evolution Of American Indian Music
Anthropology Thesis (MA) -- College of William &
Mary, 2020.
Glass Trade Beads From Reese Bay, Unalaska Island: Spatial and Temporal Patterns
Graphic Indigeneity : Comics in the Americas and Australasia
Hannah Claus
Healing through the Photographic Murals of James "Chip" "Jetsonorama" Thomas
Health in the Inner City: A Photo Essay
The Heart of Lightness: Hollywood's Wild West Show Revisited
Heart Work: Weaving Relationality into Métis Material Culture Repatriation
High Arctic Artists
Historic Choctaw Archaeology: Social Inequality in Post-Removal Southeastern Oklahoma
Holding the Indigenous Voice Hostage
Honouring Our Elders: A History of Eastern Arctic Archaeology
Housing Design in Indigenous Australia
How Raven Steals the Sun: Retold and Drawn by Quentin Harris
Salish artist retells the traditional story while drawing step-by-step visual interpretation.
Duration: 1:30:23.
"How Will I Sew My Baskets?": Women Vendors, Market Art, and Incipient Political Activism in Anchorage, Alaska
Hurricanes and Fires: Chaotics in Sherman Alexie's Smoke Signals and The Lone Ranger and Tonto Fistfight in Heaven
"I Would Like to Have This Tribe Represented": Native Performance and Craft at Chicago's 1933 Century of Progress Exposition
Ich Bin Ein Indianer: Germany's Obsession With a Past it Never Had
Idaa Trail: Lessons from the Land: A Cultural Journey through the NWT: Study Guide
Iljuwas Bill Reid: Life & Work
Images of Native Americans
Imaging the Nation with House Odds: Representing American Indian Identity at Mashantucket
In Our Own Words: Bringing Authentic First Peoples Content to the K-3 Classroom
The Inconvenient Indian
Documentary inspired by the non-fiction book of the same name by Thomas King explores historical attitudes and efforts to colonize Indigenous peoples and contemporary expressions of resistance.
Duration: 1h, 29 min.