Missing Artifacts Lead to Auditor General's Scrutiny
Anthropology Museum of the University of Winnipeg failed to follow appropriate protocols and procedures for repatriation of artifacts.
Entire issue on one pdf. To access article scroll to p.7.
Monkey Beach
More Than Just Flesh: The Arts as Resistance and Sexual Empowerment
Most Striking of Objects: The Totem Poles of Sitka National Historical Park
Moving Toward the Circle of Prosperity: the Cyber-Journey
Musqueam Weavers: Musqueam Weaving Through The Personal Stories of Weavers
Mythic Frontiers: Remembering, Forgetting, and Profiting with Cultural Heritage Tourism
National Indigenous Music Impact Study
Native American Contemporary Music: The Women
Native American Fashion: Inspiration, Appropriation, and Cultural Identity
The Native American Lens: Native American Identity Visualized by Native American Directors
Native American Music from Wounded Knee to the Billboard Charts: A Document Based Exploration
Lesson uses interviews with Pat Vegas and Redbone from the documentary Rumble: The Indians That Rocked the World as a jumping-off point to examine the U.S. government's efforts to control Native American culture by way of music.
Native Art, Native Voices: A Resource for K-12 Learners
Native Pop: Bunky Echo-Hawk and Steven Paul Judd Subvert Star Wars
Native Space: Geographic Strategies to Unsettle Settler Colonialism
The Navajo Photography of Milton S. Snow: Photography and Federal Indian Policy, 1937-1959
Negotiating Accuracy and Authenticity in an Aboriginal King Lear
Nekaneet Gathering: Second Annual First Nation International Healing and Medicines Gathering
Never Alone: The Art and the People of the Story
New Media Cultures: Protocols for Producing Indigenous Australian New Media
Niitsitapiisini: Our Way of Life: The Story of the Blackfoot People
"No, the Centre Should Be Invisible": Radical Revisioning of Chekhov in Floyd Favel Starr's House of Sonya
The "Noble Savage" in American Music and Literature, 1790-1855
Northern Haida Master Carvers
Northwest Coast Indian Art: An Analysis of Form (50th Anniversary Edition)
Northwest Journal
Not All Killed by John Wayne: The Long History of Indigenous Rock, Metal, and Punk: 1940s to Present
Not Jimmie Durham's Cherokee
Not Your Grandfather's Horse: Automobiles Performing the Trickster in Modern and Contemporary Work by Artists from Plains Cultures
Notes on Becoming a Comrade: Indigenous Women, Leadership, and Movement(s) for Decolonization
Author uses her own experiences as non-Indigenous woman of color to explore the challenges in becoming an ally with Indigenous communities fight in their fight for decolonization.
Nuvisavik: The Place Where We Weave
Nuvisavik: The Place Where We Weave
Observations on a Case Study of Song Transmission and Preservation in Two Aboriginal Communities: Dilemmas of a 'Neo-Colonialist' in the Field
Of this Land, On this Land: Indigenous Artists Challenging the Racial Logics of Liberal Modernity
Ojibway Nature Center Colouring Book
Each picture is introduced with a story which includes words in the Anishinaabemowin (Ojibway) language.
On Boundaries and Beliefs: Rock Art and Identity on the Pajarito Plateau
On Crossing Lines and Going Between: An Interview with Marjorie Beaucage
On-Screen Protocols & Pathways: A Media Production Guide to Working with First Nations, Métis and Inuit Communities, Cultures, Concepts and Stories
On the Creation of the Multimedia Project "the Memory of a Settlement", Dedicated to the Genealogy, Oral History, and Photographic Archives of Vupik Families from the Settlement of Novoe Chaplino, Chukotka
Highlights of a the digitization project to preserve the genealogical history of the Novoe Chaplino settlement.
On the Variability of Traditional Singing and Incantation Practice of the Chukchi
Looks at the traditional Chukchi personal songs and its use in ceremonies and rituals.
One Arrow Pow Wow July 12 2002. - Slide.
Historical note:
One Arrow Cree First Nation signed Treaty 6 on September 6, 1878; while the One Arrow Reserve is located 53 km southwest of Prince Albert, the band has a total of 9,331.4 ha surrounding the South Saskatchewan River. This band settled on its reserve late in the autumn of 1880, in what was considered a fine location to begin agricultural development. As the chief was old, a headman by the name of Crowskin was in charge of the band in 1882, and contributed much to its development.One Arrow Pow Wow July 13/14 2002. - Slide.
Historical note:
One Arrow Cree First Nation signed Treaty 6 on September 6, 1878; while the One Arrow Reserve is located 53 km southwest of Prince Albert, the band has a total of 9,331.4 ha surrounding the South Saskatchewan River. This band settled on its reserve late in the autumn of 1880, in what was considered a fine location to begin agricultural development. As the chief was old, a headman by the name of Crowskin was in charge of the band in 1882, and contributed much to its development.One Arrow Pow Wow July 13/14 2002. - Slide.
Historical note:
One Arrow Cree First Nation signed Treaty 6 on September 6, 1878; while the One Arrow Reserve is located 53 km southwest of Prince Albert, the band has a total of 9,331.4 ha surrounding the South Saskatchewan River. This band settled on its reserve late in the autumn of 1880, in what was considered a fine location to begin agricultural development. As the chief was old, a headman by the name of Crowskin was in charge of the band in 1882, and contributed much to its development.