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Hip-Hop For Health Promotion: An Exploratory Descriptive Study of Hip-Hop-Based HIV/AIDS Education
History of Cape Dorset and the West Baffin Co-operative
The Hoop of Many Hoops: The Integration of Lakota Ancestral Knowledge and Baha'i Teachings in the Performative Practices of Kevin Locke
`Hostiles': The Lakota Ghost Dance and the 1891-92
Tour of Britain by Buffalo Bill's Wild West [Two volumes]
How the Fiddle Flows
Discusses how the fiddle and music relate to Metis history and culture. Narrated by Tantoo Cardinal. Duration: 48:03.
I Am But a Little Woman
I Am But a Little Woman: Lesson Plan
"I Came Voluntarily to Work, Sing and Dance": Stories From the Eskimo Village at the 1909 Alaska-Yukon-Pacific Exposition
I Dream of Yesterday and Tomorrow: A Celebration of the James Bay Cree
"If You Knew the Conditions...": Health Care to Native Americans: An Exhibit at the National Library of Medicine, 15 April 1994-31 August 1994
Iglulik Inuit Drum Dance: Past, Present, and Future
Image and Memory: Art About Missing and Murdered Aboriginal Women
Images from the Spoken Word: A Comparative Study of Kateri Akiwenzie-Damm’s My Heart as a Stray Bullet and Standing Ground
Images of Power and the Power of Images: Iconography of Stelae as an Indicator of Socio-Political Events in the Early Classic Maya Lowlands
imagineNATIVE Film and Media Arts Festival
Imagining and Visualizing “Indianness” in Trudeauvian Canada: Joyce Wieland’s The Far Shore and True Patriot Love
Imagining Drumbytes and Logging in Powwows: A History of Community Imagination in Canadian-Based Aboriginal New Media Art
Imagining Drumbytes and Logging in Powwows: Exploring the Production of Community in Canadian-Based Aboriginal New Media Art
In a Native Key: Shelley Niro’s Revisioning of the Baroque Suite Form in Suite: Indian (2005)
In the Palace of Nezahualcoyotl: Painting Manuscripts, Writing the Pre-Hispanic Past in Early Colonial Period Tetzcoc, Mexico
Inauthentic Archaeologies: Public Uses and Abuses of the Past
Independent Aboriginal Filmmakers Organize
Outlines the various problems encountered in forming the Aboriginal filmmakers group.
Entire issue on one pdf. To access article scroll to p.9.
Indexing (In)authenticity: Art and Artefact in Ethnography Museums
The Indian Craze: Primitivism, Modernism, and Transculturation in American Art, 1890-1915
Indian Life on the Upper Missouri
Indians in Eden: Wabanakis and Rusticators on Maine's Mount Desert Island, 1840s-1920s
Indigenous Cultural Festivals: Evaluating Impact on Community Health and Wellbeing
Indigenous Cultures
Indigenous Hip-Hop: Overcoming Marginality, Encountering Constraints
Indigenous (Re)Memory and Resistance: Video Works By Dana Claxton
Indigenous Women and Feminism: Politics, Activism, Culture
Indigenous Women in Film and Video: Three Generations of Storytellers and an Interview with Emerging Filmmaker Sally Kewayosh
Indigenous Women's Voices: 20 Years on from Linda Tuhiwai Smith’s Decolonizing Methodologiesk
Indigi-Genuis
Series of 13 videos (each approximately 5 minutes long), geared toward children, explore how Indigenous knowledge and traditions have contributed to the modern world.
The Inmates Are Running the Asylum [Professor Stymied by Students' Refusal to Audition for a Production of the Rez Sisters]
Examines the reasons why a western Canadian Fine Arts university professor was unable to convince members of his class to audition or act in a First Nations play.
Entire issue on one pdf. To access article scroll to p.3.
Integrating Culturally Sensitive and Best Museum Practices at Two Northern California Museums: The Phoebe A. Hearst Museum of Anthropology and the Karuk People's Center
Intellectual Property and the Safeguarding of Traditional Cultures: Legal Issues and Practical Options for Museums, Libraries and Archives
Introduction: "Race" Into the Twenty-First Century
Introduction to Blackfoot Quillworking Techniques
Introduction to Determinants of First Nations, Inuit and Métis Peoples Health in Canada
Introduction to Native American/Indigenous Film
Inuit Art: 1950-2000
Inuit Art and HBC: Lesson Plan
Examines the company's role in fostering the development, promotion, collection and market for Inuit art. Suitable for Grades 4 to 12.