NAGPRA After Two Decades
Nantucket & Other Native Places: The Legacy of Elizabeth Alden Little
Natalie Curtis Burlin: A Life in Native and African American Music
National Aboriginal Day 2010
National Indigenous Music Impact Study
Native American Collections Bibliography
Native American Contemporary Music: The Women
The Native American Lens: Native American Identity Visualized by Native American Directors
Native American Performance and Representation
Native American Studies Collection
Native Art, Native Voices: A Resource for K-12 Learners
Native Artists: Livelihoods, Resources, Space, Gifts
The Native as Image: Art History, Nationalism, and Decolonizing Aesthetics
Native Designers of High Fashion: Expressing Identity, Creativity, and Tradition in Contemporary Customary Clothing Design
Native Noir: Genre and the Politics of Indigenous Representation in Recent American Comics
Native Noise: Māori Popular Music and Indigenous Cultural Identity
Native Sport: Brian Jungen
The Navajo Photography of Milton S. Snow: Photography and Federal Indian Policy, 1937-1959
"Neither One, Nor the 'Other'": The Unique Oeuvre of Freddie Alexcee
Nekaneet Gathering: Second Annual First Nation International Healing and Medicines Gathering
New Developments in the Restitution of Cultural Property: Alternative Means of Dispute Resolution
New Insights from the Archives: Historicizing the Political Economy of Navajo Weaving and Wool Growing
A New Inuit Childhood and Home: The Drawings of Annie Pootoogook
New Media Cultures: Protocols for Producing Indigenous Australian New Media
Night: A Collective Creation by Human Cargo, Written and Directed by Christopher Morris: Study Guide
The Night John Lennon Died
Niitsitapi Pi’kssíí (Blackfoot Fancy Beings)
Student guide for art exhibition featuring depictions of animals by Blackfoot artists Ryan Jason Allen Willert and Kalum Teke Dan. Each image is accompanied by a brief description of the animal's territory, habitat, food, and conservation status as well as interesting facts. Includes discussion questions and activities for beginner, intermediate and advanced levels.
Niitsitapiisini: Our Way of Life: The Story of the Blackfoot People
"No, the Centre Should Be Invisible": Radical Revisioning of Chekhov in Floyd Favel Starr's House of Sonya
Northern Exposure
Northern Haida Master Carvers
Northwest Journal
Not All Killed by John Wayne: The Long History of Indigenous Rock, Metal, and Punk: 1940s to Present
Not Jimmie Durham's Cherokee
Notes on Becoming a Comrade: Indigenous Women, Leadership, and Movement(s) for Decolonization
Author uses her own experiences as non-Indigenous woman of color to explore the challenges in becoming an ally with Indigenous communities fight in their fight for decolonization.
[Nuussuarmiut - Hunting Families on the Big Headland: Demography, Subsistence and Material Culture in Nuussuaq, Upernavik, Northwest Greenland
Nuvisavik: The Place Where We Weave
Nuvisavik: The Place Where We Weave
Objects of Purpose - Objects of Prayer: Peyote Boxes of the Native American Church
Observations on a Case Study of Song Transmission and Preservation in Two Aboriginal Communities: Dilemmas of a 'Neo-Colonialist' in the Field
The Oconaluftee Institute for Cultural Arts
Ojibway Nature Center Colouring Book
Each picture is introduced with a story which includes words in the Anishinaabemowin (Ojibway) language.
On Boundaries and Beliefs: Rock Art and Identity on the Pajarito Plateau
On Crossing Lines and Going Between: An Interview with Marjorie Beaucage
On-Screen Protocols & Pathways: A Media Production Guide to Working with First Nations, Métis and Inuit Communities, Cultures, Concepts and Stories
On the Creation of the Multimedia Project "the Memory of a Settlement", Dedicated to the Genealogy, Oral History, and Photographic Archives of Vupik Families from the Settlement of Novoe Chaplino, Chukotka
Highlights of a the digitization project to preserve the genealogical history of the Novoe Chaplino settlement.
On the Variability of Traditional Singing and Incantation Practice of the Chukchi
Looks at the traditional Chukchi personal songs and its use in ceremonies and rituals.
One Arrow Pow Wow July 12 2002. - Slide.
Historical note:
One Arrow Cree First Nation signed Treaty 6 on September 6, 1878; while the One Arrow Reserve is located 53 km southwest of Prince Albert, the band has a total of 9,331.4 ha surrounding the South Saskatchewan River. This band settled on its reserve late in the autumn of 1880, in what was considered a fine location to begin agricultural development. As the chief was old, a headman by the name of Crowskin was in charge of the band in 1882, and contributed much to its development.One Arrow Pow Wow July 13/14 2002. - Slide.
Historical note:
One Arrow Cree First Nation signed Treaty 6 on September 6, 1878; while the One Arrow Reserve is located 53 km southwest of Prince Albert, the band has a total of 9,331.4 ha surrounding the South Saskatchewan River. This band settled on its reserve late in the autumn of 1880, in what was considered a fine location to begin agricultural development. As the chief was old, a headman by the name of Crowskin was in charge of the band in 1882, and contributed much to its development.