Cultural Geographies, vol. 9, no. 2, 2002, pp. 202-247
Description
"This paper explores the relationships between landscape and power, colonialism and its aftermaths, and state territoriality and its contestation, in the work of two popular Northwest Coast landscape painters: Emily Carr and Lawrence Paul Yuxweluptun".
Commodifications of the Past? An IPinCH Knowledge Base Bibliography
Intellectual Property Issues in Cultural Heritage: Theory, Practice, Policy, Ethics
Documents & Presentations
Author/Creator
James Herbert
Description
Lists 208 publications (articles, letters, websites, webpages, government documents, and books) deemed to be of interest to the Commodifications of the Past? Working Group from the Intellectual Property Issues in Cultural Heritage (IPinCH) research project.
Lists title, location of research, principal investigator, etc. for over ninety projects. Divided by topic area: health related, physical science, social science and traditional knowledge
American Studies International, vol. 40, no. 3, October 2002, pp. 46-56
Description
Comments on stereotypical images found in books, toys, games, etc. and the artists who are deconstructing these images by infusing their cultural diversity into their work.
American Quarterly , vol. 62, no. 2, June 2010, pp. 387-394
Description
Book reviews of: The National Museum of the American Indian: Critical Conversations edited by Amy Lonetree and Amanda J. Cobb.
Fritz Scholder: Indian/Not Indianedited by Lowery Stokes Sims, Truman T. Lowe and Paul Chaat Smith.
George De Forest Brush: The Indian Paintings edited by Nancy K. Anderson.
Museum Anthropology, vol. 36, no. 2, September 2013, pp. 113-127
Description
Looks at works by Michael Nicoll Yahgulanaas who infuses Haida form lines, ideas, and oral histories with Manga, a Japanese genre of cartoon illustration.
Presents a selection of papers presented April 29-30, 2009, Faculty of the VCA and Music, The University of Melbourne about the business of Indigenous performing arts, its history and its future.
"This book is an expanded and edited version of Canadian Ethnology Service Paper no. 30, published by the National Museum of Man in the Mercury Series in 1975".
Topics include background and goals of the exhibition, choice of works, and international scope of artists represented. It featured 150 works by over 80 artists from 16 countries and was mounted at the National Gallery of Canada from May 17 to September 2, 2013.
Focuses on two objects from the exhibition (Wasco argillite platter and totem pole) to demonstrate the artist's execution of two-dimensional and three-dimensional design.
Excerpt from Charles Edenshaw curated by Robin K. Wright and Daina Augaitis.
Artist's own experiences as a hybrid subject influence her work and represents the reality of most Aboriginal people today. Includes annotated photographs from exhibition.